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Mohsen M.

@mohsenj1

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Architecture student skilled in modeling,rendering

$10 USD / hora

・

Lebanon (5:11 p. m.)

・

Se unió el enero 16, 2025

$10 USD / hora

・

As a 3rd-year architecture student with extensive experience in SketchUp, AutoCAD, and Lumion rendering, I excel in creating precise models and realistic visualizations. Additionally, I am a skilled drawing and sketching artist, bringing concepts to life with creativity and attention to detail.

Verificaciones

Ver todo Architects en Lebanon

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Portafolio

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

Amchit beach houses

Amchit beach houses

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

Usek Alumni centre

Usek Alumni centre

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

This project revives an ancient Phoenician village through modern reinterpretation of simple cubic volumes and local materials. Inspired by the Greek Viglostasi Residence, it adopts the typology of small Aegean villages with minimal cubic forms, using local stone, wood, green roofs, and plaster to complement the climate.

The design consists of three main residences: the businessman, architect, and artist, each with distinct spaces. The ground floor features the main entrances, office areas, living spaces, and kitchens. The first floor has additional bedrooms, with shared bathrooms and master suites. The underground plan includes the artist's residence, reception and lounge areas, a gym, and a game room, with an infinity pool and garden.

The project focuses on the relationship between public and private spaces, with detailed perspective sections and elevations showcasing the design.

Amchit beach houses

Amchit beach houses

Amchit beach houses

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

So first, I drew inspiration from the design of the Josephine Baker Middle School in Marseille, France, particularly its U-shaped form. This configuration, which tapers to define a distinct and inviting entrance, influenced the spatial organization of my alumni center. Additionally, I was inspired by the Mediterranean architectural stance of the project, which imparts a sense of protection through its solid walls and overall massing. My design adapts these principles, evolving into an open communal space that fosters interaction and connectivity among students while extending to establish a visual and physical openness toward the university, creating a seamless relationship between the two entities.

Usek Alumni centre

Usek Alumni centre

Usek Alumni centre

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