Mansfield Park

This is not your mother's MANSFIELD PARK. Director Patricia Rozema has effectively removed the book's frail and mousy -- if resolutely honorable -- heroine and replaced her with some amalgam of Austen's feistier characters plus a dash of Austen herself. Then she throws in a bit of Jo March, Susan B. Anthony, and even Scarlet O'Hara for good measure. The movie version's heroine is far more cinematic than the Fanny Price of the book, and the adaptation works remarkably well. Less successful is the attempt to import 20th-century sensibility on issues such as slavery (Fanny's wealthy relatives own slaves in the West Indies) and some wild anachronisms (Fanny lies casually on her bed while she talks to her male cousin; neighbor Mary Crawford even more casually smokes a small cigar).

The movie is sumptuously produced. Australian actress Frances O'Connor is terrific as Fanny. To use one of Austen's favorite words, she is "lively," but she also is able to show us Fanny's unshakable honor and dignity. Playwright Harold Pinter is outstanding as Lord Bertram. One of the great moral crises of the book is whether the young people should put on a play (Answer: They should not because it would create too great an intimacy). But Austen never shied away from having characters make ineradicable moral and social mistakes, and most of her books feature at least one couple who runs off together without getting married and suffers some serious consequences. Perhaps in frustration over the difficulty of making those actions seem real to today's audiences, or perhaps simply as a way of making a classic work seem unstuffy, this movie has more implicit and explicit sexuality than we have seen in other movies based on Austen's books (except maybe Clueless).