MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Vintage B3 Motor parameters in MainStage
The advanced cabinet parameters are divided into three groups: Cabinet, Motor, and Brake. See also Vintage B3 Cabinet parameters and Vintage B3 Brake parameters.
The microphone parameters are described in Vintage B3 Microphone parameters.
Motor parameters
Acceleration knob and field: Set the time required for the rotors to attain the speed set with the Max Rate knob and also the time required for them to slow down. The Leslie motors need to physically accelerate and decelerate the speaker horns in the cabinets, and their power to do so is limited. Turn Acceleration to the far left position to switch to the preset speed immediately. As you rotate the knob to the right, it takes more time to hear the speed changes. At the default, centered, position the behavior is Leslie-like.
Max Rate knob and field: Set the maximum possible rotor speed.
Motor Control pop-up menu: Choose different speeds for the bass and treble rotors. Use the Rotation switch to choose slow, brake, or fast mode. See Vintage B3 Rotor Cabinet window.
Normal: Both rotors use the speed determined by the Rotation switch position.
Inv (inverse): In fast mode, the bass compartment rotates at a fast speed, while the horn compartment rotates slowly. This is reversed in slow mode. In brake mode, both rotors stop.
910: The 910 (also known as “Memphis”), stops the bass drum rotation at slow speed, while the speed of the horn compartment can be switched. This is useful when you’re after a solid bass sound but still want treble movement.
Sync: The acceleration and deceleration of the horn and bass drums are roughly the same. This sounds as if the two drums are locked, but the effect is clearly audible only during acceleration or deceleration.
Note: If you choose Single Cabinet from the (Cabinet) Type pop-up menu, the Motor Control setting is not relevant because there are no separate bass and treble rotors in a single cabinet.
Speed MIDI Control pop-up menu: Choose a MIDI controller that is used to remotely switch the rotor speed. All items (except ModWheel) in the pop-up menu switch between fast and the speed set with the Rotation switch positions—either switching between slow and fast, or switching between brake and fast. If fast is chosen, the rotor speaker switches between fast and slow.
Note: When using a pedal to control rotor speed, you can hold down the pedal for a second or so, then release it to activate braking. Repeat to switch to the previously active speed mode: Fast or Slow.
Modwheel: Assigns the modulation wheel to switch between all three speed settings. Brake is selected around the modulation wheel center position, slow is selected in the lower third, and fast in the upper third of the modulation wheel range.
Modwhl Toggle: Switches as soon as the modulation wheel moves away from the centered position. If the modulation wheel passes the center position when moved from a high to low position, no switching occurs. This caters to Roland keyboards with combined pitch bend and modulation controls.
Modwhl Temp: Switches as soon as the modulation wheel passes the center position, regardless of whether you have moved the modulation wheel from high to low or from low to high positions. This caters to Roland keyboards with combined pitch bend and modulation controls.
Touch: Switches with aftertouch on messages. No switching occurs on aftertouch release.
Touch Temp: Switches with aftertouch on messages. A second switch occurs with aftertouch release messages.
SusPdl Toggle: Switches when you press the sustain pedal. No switching occurs when the sustain pedal is released.
SusPdl Temp: Switches when you press the sustain pedal. A second switch occurs when you release the sustain pedal.
CC #18 and CC #19 Toggle: Switches when you press controller 18 or 19. No switching occurs when either controller is released.
CC #18 and CC #19 Temp: Switches when you press controller 18 or 19. A second switch occurs when you release controller 18 or 19.