MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Alchemy morph controls in MainStage
Source components are shown only in advanced view. Click the Advanced button to switch to advanced view, then click the Morph button to view and use the morph controls.
The morph controls determine how the four Alchemy sources interact. There are two basic types of interaction:
XFade: In a crossfade, all active sources play simultaneously, and the X and Y knobs control the mix between them. This is equivalent to turning the Amp knobs in each source to attain the desired mix. If you crossfade from a source with a high Coarse Tune setting to a source with a low Coarse Tune setting, the high source fades out as the low source fades in. In the middle of the crossfade you hear both sources.
Morph: In a morph, a single sound is generated with parameter values determined by interpolating between the settings of all four sources. If you morph from a source with a high Coarse Tune setting to a source with a low Coarse Tune setting, you hear a single sound during the morph. The sound tuning falls smoothly from the high value to the low one.
Morphing provides more scope than simple crossfades between sources. It also allows cross-synthesis, where you can combine different aspects of different sound elements. For example, you could apply the formants or other characteristics of an additive source to the spectral element of another source. See the tutorials found in Alchemy elemental morphs overview in MainStage.
Only certain parameters, notably all parameters controlled with a knob, can be morphed. Morphed parameters are indicated by a green arc around the control. Parameters that are morphed and have a modulation assignment show both an orange and green arc around the control. Parameter settings are shared across all morphed sources, which means that changing a parameter in one source results in the corresponding parameter being changed for all morphed sources.
Note: Parameters that do not directly participate in the morph, including most buttons and pop-up menus, are indicated with a lock icon displayed at the top left of the control (the lock icons are shown only in source subpages). Where there is a parameter pairing of an On button and a pop-up menu, only the button shows the lock icon. Neither parameter participates in the morph.
Morph controls
Morph type buttons: Choose one of four crossfade or morph modes.
XFade XY: This mode crossfades levels between all four sources.
Use the X knob to control the mix levels of sources A and C versus sources B and D.
Use the Y knob to control the mix levels of sources A and B versus sources C and D.
XFade Linear: This mode is useful for setting up crossfades based on Velocity or KeyFollow.
Crossfade from source A to B to C to D as you increase the X knob value from 0% to 100%.
The Y knob is not shown in this mode.
Morph XY: This mode is like XFade XY, but all parameters of the sound are morphed. Regions of each source encompassed by corresponding warp markers are time-aligned in the morph. See Alchemy zone waveform editor in MainStage.
All/Elements buttons: Use All to view and edit the X/Y values for all active parameters. Use Elements to view and edit the X/Y values of five parameters.
X/Y knobs: Edit the X/Y values for all active parameters. Y values are not shown in “linear” modes.
Additive knob X/Y: Set the morph value for active additive sources. Also controls VA morph position if the VA element is active.
Spec/Gran knob X/Y: Set the morph value for active spectral or granular sources. Also controls sampler morph position if the sampler element is active.
Pitch knob X/Y: Set the pitch morph value between active sources.
Formant knob X/Y: Set the formant level morph value between active sources. Also controls morphing of the source filter knobs.
Envelope knob X/Y: Set the envelope morph value between active sources. These controls morph the timing of the sound. In cases where source A has a short attack and source B has a long attack, for example, the length of the attack varies as you change the X knob.
Auto Gain button: Enable to match source levels, resulting in smoother morphs.
Fixed Pitch button: Turn on to lock the root note to a pitch that doesn’t change, regardless of morph position movements. Turn off for the best morphing quality.
Auto Align button: Enable to automatically align all morphed sources. As an example, Auto Align corrects the timing of words of four spoken voice samples saying the same phrase in each of the four morphed sources. Auto Align is automatically turned off when you set warp markers manually.
Morph Linear: This mode is like XFade Linear, but all parameters of the sound are morphed. Regions of each source encompassed by corresponding warp markers are time-aligned in the morph. See Alchemy elemental morphs overview in MainStage.
All/Elements buttons: Use All to view and edit the X value for all active parameters. Use Elements to view and edit the X values of five parameters.
Source group buttons: Choose source group A-B, C-D, or A-B-C-D. Morphs affect only the chosen group of sources.
Additive knob: Set the morph value for active additive sources.
Spec/Gran knob: Set the morph value for active spectral or granular sources. This also controls the sampler morphing position if the sampler element is active.
Pitch knob: Set the pitch morph value between active sources.
Formant knob: Set the formant level morph value between active sources.
Envelope knob: Set the envelope morph value between active sources.
Auto Gain button: Enable to match source levels, resulting in smoother morphs.
Fixed Pitch button: Locks the root note to a pitch that does not change, regardless of morph position movements. Turn off for higher morphing quality.
Auto Align button: Enable to automatically align all morphed sources. Auto Align is automatically turned off when you set warp markers manually. For example, Auto Align corrects the timing of words of four spoken voice samples saying the same phrase in each of the four morphed sources.
Morph square: Display and edit the current X/Y morph position. Drag the point to change the X or Y value, or both.
Morph XY mode: When the Elements button is on, five points represent the following parameters: Additive (blue), Spec/Gran (orange), Pitch (green), Formant (purple), and Envelope (yellow). Drag each point to change the corresponding X and Y values.
Morph Linear mode: When the Elements button is on, five points represent the following parameters: Additive (blue), Spec/Gran (orange), Pitch (green), Formant (purple), and Envelope (yellow). Drag each point to change the corresponding X parameter value for the active source group: A-B, C-D, or A-B-C-D.