Final Cut Studio 2: Final Cut Pro 6 - Technical Specifications
Final Cut Studio 2 - Part Numbers | |
Retail | MA886Z/A |
Upgrade from Final Cut Pro | MA887Z/A |
Academic | MA886Z/A |
Additional Information
Minimum Requirements to Install All Final Cut Studio Applications
A Macintosh computer with a 1.25GHz or faster PowerPC G4, PowerPC G5, Intel Core Duo, or Intel Xeon processor
1GB of RAM
An AGP or PCI Express Quartz Extreme graphics card (Final Cut Studio is not compatible with integrated Intel graphics processors)
A display with 1024-by-768 resolution or higher
Mac OS X v10.4.9 or Mac OS X v10.5.5 or later
QuickTime 7.1.6 or later
A DVD drive for installation
Available Disk Space
4GB of disk space required to install all applications (Final Cut Pro, Color, DVD Studio Pro, Soundtrack Pro, Motion, Cinema Tools, LiveType, Compressor, and Apple Qmaster)
Additional 55GB required to install all optional templates, content, and tutorials (may be installed on separate disks):
9GB for DVD Studio Pro content
8GB for Motion templates and tutorial media
24GB for Soundtrack Pro audio content
12GB for LiveFonts and LiveType animated elements and templates
2GB for Apple Pro Training Final Cut Studio Tutorials media
Recommended Configurations
The following are recommended for all applications:
2GB of RAM when working with compressed HD and uncompressed SD sources
4GB of RAM when working with uncompressed HD sources
A display with 1280 x 1024 resolution or higher
4 GB of hard disc space is required to install all of the Final Cut Studio 2 applications
An additional 55 GB of hard disc space is required to install all optional templates, content, and tutorials (may be installed on separate discs):
9 GB for DVD Studio Pro content
8 GB for Motion templates and tutorial media
24 GB for Soundtrack Pro audio content
12 GB for LiveFonts and LiveType animated elements and templates
2 GB for Apple Pro Training Final Cut Studio Tutorials media
Final Cut Pro 6 - Technical Specifications
Editing and Timeline
Mix frame sizes, frame rates, and formats in the same Timeline in real time
Edit at 23.976, true 24, 25, 29.97, 30, 50, or 60 fps
Multicam editing of up to 128 sources with real-time playback of up to 16 angles
Source/Record three-point editing model
Insert and overwrite with or without transitions
Replace, fit to fill, and superimpose edits
Edit overlay for drag-and-drop editing
Blade and Blade All tools for adding edits
Extend and split edits
Sync indicators in Timeline
Adjacent (through edit) indicators in Timeline
Dupe detection in Timeline
Keyframe graphs
Track targeting
Track locking
Auto Select tools
Trimming
Ripple
Roll
Slip and slide
Lift and ripple delete
Asymmetric, multitrack trimming
Dynamic trimming
JKL trimming
Trim window
Timeline trimming
Keyboard and numeric trimming
Effects
FxPlug support
Real-time software-based audio normalization
RT Extreme for scalable software-based, multistream real-time effects in DV, SD, and HD formats
Real-time effects playback on main display and on NTSC/PAL or HD monitor with perfect synchronization
Dynamic RT for automatically adjusting playback quality and/or frame rate based on hardware capabilities
Motion integration for motion graphics work
Shake integration for visual effects work
8-bit, 10-bit, and HDR (32-bit floating point) image processing
Time Remap tool
Keyframe graphs and editing in Viewer or Timeline
More than 200 transitions, effects, and filters
Unlimited effects favorites
Copy and paste motion and effect attributes
Unlimited layers with support for nesting
Bezier curves with movable motion paths
Numeric control and keyframe capabilities for precise animation and effects
2D and 3D titles with Boris Calligraphy
Animated titles, lower thirds, and graphics with LiveType
Composite and transfer modes
Import multilayered Photoshop files with layers and alpha support
Support for many third-party After Effects plug-ins (PowerPC only)
FXScript and FXBuilder for designing custom filters and effects
Digital Cinema Desktop for real-time SD and HD preview playback on an attached Apple Cinema Display
Tools
High-quality real-time video vectorscopes and waveform monitors
Multitrack Audio Mixer
Keyboard and user interface customization tool
Voice Over tool for adding narration directly to Timeline
Frame Viewer for shot comparisons
Source timecode overlays in Viewer and Canvas
QuickView for RAM-based previews of complex multilayered sequences
LiveType
LiveFonts animated fonts
Customizable text effects and project templates
Royalty-free animated content library
Keyframe animation
Real-time wireframe preview
Canvas RAM preview
Import wide variety of formats
Resolution independent and scalable
Individual character control
Unicode system font support
Animation for rolls and crawls
Type on a curve
FontMaker utility for creating custom LiveFonts
Audio
Subframe audio keyframing to 1/100th of a frame
Real-time audio filter adjustments during playback
Multichannel audio with support for up to 24 channels in and out
OMF audio export
Onscreen multitrack mixing console
External control surface support
Soundtrack Pro integration for audio mixing and sound design
Real-time fader automation
Variable keyframe thinning
Real-time audio filters and effects
Sampling at 8kHz to 96kHz and 8 to 24 bits
Audio level meters (per track)
Mac OS X Audio Units plug-in support
Pan controls
Mute and solo controls
Audio waveform display in Timeline
Logarithmic audio fades
Scrubbing with or without pitch shifting
More than 25 audio filters
Color Correction
Send to Color
Primary (three-way) color corrector
Secondary (two-way) color corrector
Image control filters
4- and 8-point garbage mattes
Real-time, hardware-accurate waveform monitor and vectorscopes
Broadcast-safe filter
Range-checking zebra stripe overlays
Application
Full Unicode support
Dynamic window resizing
Mode-free interface for workflow efficiency
Multiple sequences and projects open simultaneously
Up to 99 levels of undo
99 audio and 99 video tracks with support for nesting sequences together
System and user preferences
Easy Setups for quick configuration
Customizable keyboard
Customizable real-time effects settings
Customizable render settings
Customizable window arrangements
Customizable user interface buttons
Customizable Browser layouts
Customizable track layouts
External editor support (helper applications)
Create Support Profile command for improved AppleCare support
Film
Cinema Tools 4 included
Create PDF and export XML film lists
Include timecode and keycode in the same list
Support for 35mm 3-perf, 35mm 4-perf, and 16mm-20
Comprehensive, integrated film management tools
View feet and frames in Timeline
View keycode and ink number overlays on video in Final Cut Pro
Film data information in Final Cut Pro Browser
24-fps EDL I/O
24-fps EDL conversion to and from 29.97 fps
Import ALE, ATN, FLX, and FTL files in both Cinema Tools and Final Cut Pro
Track key numbers, ink numbers, video and audio timecode
Output the following lists:
Cut list
Change list
Optical list
Pull list
Dupe list
Missing elements list
Audio EDL
Link media to database
Synchronize database with Final Cut Pro
View film data directly in Final Cut Pro
Search and sort
Poster frame capability
Conform clips to specified frame rate
Reverse telecine function in either Cinema Tools or Final Cut Pro
Export ALE files
Import and export Final Cut Pro batch lists
Supported Formats and I/O*
Apple ProRes 422 and Apple ProRes 422 (HQ), an 8- or 10-bit, full-resolution VBR format that supports all major frame sizes and frame rates at target bit rates of 145 Mbps and 220 Mbps
5.1 surround sound monitoring
Broadcast Wave Format with drop and non-drop frame timecode options
Native editing for DV, DVCAM, DVCPRO, DVCPRO 50, and DVCPRO HD
Native long GOP MPEG-2 editing for HDV, including 1080i 50/60, 1080p 24/25/30, 720p 24/25/30/50/60
Native long GOP MPEG-2 editing for XDCAM EX at 720p 24/25/30/50/60, 1080i 50/60, 1080p24/25/30
AVCHD and AVC-Intra editing support using ProRes (requires a Mac computer with an Intel processor)
Support for XDCAM HD at 1080i 50/60/VFR and 1080p 24/25/30/VFR with free Sony software
Support for Sony XDCAM HD 422 1080i 50/60, 1080p 24/25/30, 720p50/60
Native 25-Mbps CBR, 18- and 35-Mbps VBR MPEG HD for XDCAM HD
Native editing for IMX at 30, 40, and 50 Mbps for SD
Native editing for P2 at 1080i 50/60/VFR and 720p 24/24N/25/25N/30/VFR from P2 cards
1080pA 24 (Advanced Pulldown) supported via FireWire from AJ-HD1200A and AJ-HD1400
P2 import dialog with browse, mark, and background ingest
IMX ingest and output supported with optional third-party software
Uncompressed 8- and 10-bit HD (4:2:2 YUV) via PCI card
Uncompressed 8- and 10-bit SD (4:2:2 YUV) via FireWire or a PCI card
Apple Intermediate Codec
OfflineRT Photo-JPEG codec
HD at 1080i 50/60, 1080p 23.98/24/25, and 720p 24/25/30/50/60
Pulldown tools for telecine insertion and removal
25 fps @24 fps conversion
Frame-accurate log and captures
Frame-accurate edit-to-tape
Serial device control (RS-422, RS-232)
FireWire device control
Log and capture tool with support for batch, clip, and on-the-fly capturing
Still images: PSD, BMP, JPEG, PICT, PNG, SGI, TARGA, TIFF
Insert and assemble editing to tape
Compressor for encoding, format conversions, and batch processing
Media Management
Export OMF with volume and pan metadata
Media management tools
Render file manager
Extensive search, sort, and sift capabilities in Browser
Rename Clips to match Media and vice versa
Maintain Master clips across multiple projects
Clip labels
Custom comment fields
Integrated film database with Cinema Tools 4
Master and affiliate clips
Move, copy, and transcode items at sequence or project level
Consolidate, trim, or archive
Online with automatic reconnect and batch capture capabilities
EDL I/O
Autosave Vault
XML interchange format for custom integration work
Batch export
Compressor integration
*Some features require additional hardware. Capturing HD resolution video using the ProRes 422 format requires a Mac Pro with an Intel Xeon processor or a G5 Quad computer and a qualified third-party capture card. DV, DVCPRO 50, and DVCPRO HD output requires a FireWire-enabled camera or deck. SD output via FireWire requires an AJA Io. Please contact your Apple Authorized Reseller for information.
Copy protection requires that you output your project to a replicator. Macrovision requires that users work with a Macrovision-certified replication facility or execute a Macrovision usage agreement. Check with your replicator for costs and minimum quantities