MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Use the Pedalboard Router in MainStage
Pedalboard has two discrete signal busses—Bus A and Bus B. Stompboxes that you drag into the Pedal area are inserted into Bus A by default. Bus A (lower) and Bus B (upper) appear as two or more horizontal gray lines in the Router above the Pedal area. These busses provide flexibility when you’re setting up signal processing chains.
Pedalboard can be inserted as a mono, mono-to-stereo, or stereo instance. This affects the appearance of the Router busses, and also available options.
In mono instances: A single gray line appears between elements on each active Bus.
In mono-to-stereo instances: One or two parallel gray lines appear between elements on each active Bus, depending on whether switchable mono or stereo stompboxes are inserted. See the task in this section.
In stereo instances: Two parallel gray lines appear between elements on each active Bus.
Note: The Router area appears when you move your pointer to a position immediately above the Pedal area, and it disappears when you move the pointer away. When you create a second bus routing, the Router remains open even when your pointer is not over it. You can close the Router by clicking the small latch button at the top; the Router then opens or closes automatically when you move your pointer over it.
Notes on Splitter utility and Mixer utility use
Dragging a Splitter utility into the Pedal area automatically inserts a Mixer utility to the far right of all inserted pedals.
You cannot drag a Splitter utility to the far right of all inserted pedals, to directly after an inserted Splitter utility, to directly in front of an inserted Mixer utility, or to an empty space in the Pedal area.
Dragging a Mixer utility into the Pedal area automatically creates a split point at the earliest possible point—the leftmost point—within the signal chain.
You cannot drag a Mixer utility to the first slot in the Pedal area, to between an inserted Splitter and Mixer utility combination, or directly to the right of an inserted Mixer utility.
Create a second bus routing
In MainStage, do one of the following:
Move your pointer immediately above the Pedal area to open the Router, and click the name of a stompbox in the Router.
Two gray lines (or two sets of parallel gray lines in a stereo instance) appear in the Router. The lower line represents the Bus A routing and the upper line, the Bus B routing. The pedal name moves to the upper line. The chosen stompbox is now routed to Bus B, and a Mixer utility pedal is automatically added to the end of the signal chain.
Drag a Splitter utility pedal into the Pedal area when more than one pedal is inserted.
This also inserts a Mixer at the end of the signal chain if one doesn’t already exist.
Remove the second bus routing
In MainStage, do one of the following:
Delete the Mixer and Splitter utility pedals from the Pedal area.
Remove all stompboxes from the Pedal area. This automatically removes any Mixer utility.
Remove an effect from the second bus
In MainStage, click the name of the pedal in the Router. (You can also click the lower gray line immediately above the pedal to remove the pedal from the second bus.)
Note: The removal of all effects from Bus B does not remove the second bus. The Mixer utility pedal remains in the Pedal area, even when a single stompbox (effect) is in the Pedal area. This enables parallel routing of wet and dry signals. Only when all pedal effects are removed from the Pedal area are the Mixer utility and second bus removed.
Determine the split point between busses
When more than one bus is active, a number of dots appear along the “cables”—the gray lines—in the Router. These represent the output (the socket) of the pedal to the lower left of the dot.
In MainStage, click the appropriate dot to determine the split point where the signal is routed between busses.
A cable appears between the busses when you click a dot.
Note: You cannot create a split point directly before or after the Mixer utility.
Switch between a Splitter utility and a bus split point
To replace a bus split point with a Splitter utility in MainStage: Double-click the bus split point dot in the Router.
The Splitter utility appears in the Pedal area.
To replace a Splitter utility with a bus split point: Double-click the Splitter label in the Router.
The Splitter utility is removed from the Pedal area.
Change a Mixer utility position in the Pedal area
In MainStage, drag the Mixer utility to a new position, either to the left or to the right.
If you move the Mixer utility to the left, the “downmix” of Bus A and Bus B occurs at the earlier insertion point. Relevant effect pedals are moved to the right and are inserted into Bus A.
If you move the Mixer utility to the right, the “downmix” of Bus A and Bus B occurs at the later insertion point. Relevant effect pedals are moved to the left and are inserted into Bus A.
Note: A Mixer pedal cannot be moved to a position directly following or preceding a corresponding split point or Splitter utility.
Change a Splitter utility position in the Pedal area
In MainStage, drag the Splitter utility to a new position, either to the left or to the right.
If you move the Splitter utility to the left, the split between Bus A and Bus B occurs at the earlier insertion point. Relevant effect pedals are moved to the right and are inserted into Bus A.
If you move the Splitter utility to the right, the split between Bus A and Bus B occurs at the later insertion point. Relevant effect pedals are moved to the left and are inserted into Bus A.
Note: A Splitter pedal cannot be moved to a position directly preceding (or to the right of) a corresponding Mixer utility.
Change the mono or stereo status of a pedal in the Router
When Pedalboard is inserted as a mono-to-stereo plug-in, modulation effects and the Mixer utility can be used to switch between stereo or mono routings.
In MainStage, click the icon at the right of the element name on Bus A or Bus B to switch between mono or stereo mode.
Single circle: Indicates a mono stompbox or Mixer utility. Signals beyond this point on the respective bus are mono, indicated by a single gray line.
The mono signal path on Bus A or Bus B is maintained until a modulation or Mixer stompbox is inserted, and is switched to stereo mode. Signals beyond this point on the respective bus will be stereo. This is indicated by a double gray line.
Linked circles: Indicates a stereo stompbox or Mixer utility. Signals beyond this point on the respective bus are stereo, indicated by a double gray line.
The stereo signal path on Bus A or Bus B is maintained until a modulation or Mixer stompbox is inserted, and is switched to mono mode. Signals beyond this point on the respective bus will be mono. This is indicated by a single gray line.