Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Vintage EQ collection in Logic Pro for iPad
The Vintage Console EQ, Vintage Graphic EQ, and Vintage Tube EQ plug-ins are modeled on the original EQ circuits of three classic units from the 1950s, 1960s, and 1970s.
The unique output stage of each unit is also modeled, allowing you to pair the output stage of any unit with the original or other EQ models.
Further enhancements include fully sweepable frequency controls that allow more detailed signal contouring than the fixed frequency options found on some of the original devices.
Each vintage EQ unit provides a distinct tonal signature that imparts a sonic color on signals, unlike precise, clean modern equalizers such as the other included EQs.
All vintage EQ models share a set of common Output parameters, along with unique parameters that are discussed in each section.
Output parameters
Output Mode pop-up menu: Either disable or choose a vintage EQ model output stage. You can use the matching output stage model for the active EQ or can choose the output stage of another unit. The output stage allows you to add harmonic distortion to your signals.Silky (Tube EQ): The output stage of the Vintage Tube EQ.
Punchy (Graphic EQ): The output stage of the Vintage Graphic EQ.
Smooth (Console EQ): The output stage of the Vintage Console EQ.
Off: Disables the output stage model.
Phase buttons: Set the processing mode of the EQ and the chosen output stage. Natural mirrors the cut/boost phase shifts of the original EQ. Linear allows EQ changes without phase shifts of the source signal.
Each analog EQ introduces phase shifts of the signal which can have an audible (and often desirable) effect on the sound. In some situations, however, phase shifts can affect transients. This is especially the case when using steep cut filters, or high boost of narrow filters. Linear phase filters let you change only the gain of a certain frequency area of your material by retaining the phase, with slightly higher latency than in natural mode.
- Drive knob and field: Set the amount of gain/saturation of the chosen vintage EQ output stage. This imparts the distortion and coloration of the original hardware output stage, even if all EQ bands are in a neutral position.
Volume knob and field: Drag vertically to set the overall plug-in output level. Range is ±25 dB.
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