Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
How the Live Loops grid and Tracks area interact in Logic Pro for iPad
On each track in Logic Pro for iPad, you can listen to either a cell in the Live Loops grid or a region in the Tracks area—never both simultaneously. When you start a cell, any regions on the same track become inactive. When you stop a cell, the regions are not immediately reactivated; you need to tap buttons in the Divider column to do this.
You can also pause cells and activate regions on the same track simultaneously. The Divider column shows stop buttons next to tracks where cells are playing. When cells are stopped, the Track Activation buttons in the Divider column indicate with a solid arrow whether the cells or regions are activated. If you have a combination of tracks with activated cells and regions, both arrows of the Track Activation button at the top of the Divider column are hollow.
When you trigger cells while the project is stopped, the playhead starts. If the playhead starts from a quantize start point, the cells start playing immediately; otherwise, they start when the playhead reaches the next quantize start point.
If the playhead reaches the Project End marker while cells are playing, the playhead stops and the cells continue playing.
If you are only using Live Loops in your project, it is recommended to turn on Cycle mode. However, it is important to turn it off when you record a Live Loops performance.
Activate regions on an individual track
In Logic Pro, do the following:
If a cell is not playing on the track, tap the Track Activation button for the track in the Divider column.
If the project is playing, the region on the track is immediately audible. Otherwise, you hear the region on the track when you start project playback. To reactivate the cell, tap the Track Activation button again in the Divider column or play the cell.
If a cell is playing on the track, tap the circular indicator in the Divider column for that track to stop the cell, then tap the Track Activation button .
If a cell is playing on the track and you are in Cell Queue mode, tap the Pause button in the Divider column for that track.
At the next quantize start point, the cell pauses and the regions on the track are audible. To restart the cell, tap the Restart button in the Divider column for that track, or tap the queued cell.
Activate regions on all tracks
In Logic Pro, do the following:
If multiple cells are playing, tap the Grid Stop button at the bottom of the Divider column, then tap the Track Activation button at the top of the Divider column.
If no cells are playing, tap the Track Activation button at the top of the Divider column.
If the project is playing, any regions in the Tracks area are immediately audible. To reactivate the cells, tap the Track Activation button again in the Divider column.
If multiple cells are playing while in Cell Queue mode, tap the Pause button at the bottom of the Divider column.
At the next quantize start point, the cells queue and the regions are audible. To restart the queued cells, tap the Restart button at the bottom of the Divider column, or tap the button in the Divider column on any track.
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