Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Sculpture disturb and damp objects 2 and 3 in Logic Pro for iPad
The table outlines all disturb and damp types available for Objects 2 and 3. For information on excite types available for Objects 1 and 2, see Sculpture excite objects 1 and 2.
Name | Description | Strength controls | Timbre controls | Variation controls |
|---|---|---|---|---|
Disturb | A disturb object that is placed at a fixed distance from the string resting position | The hardness of the object | The distance from the resting position
| Controls width.
|
Disturb 2-sided | Somewhat like a ring placed around the string, which limits string vibration in all directions | The hardness of the ring | The clearance of the ring (the distance between the ring and string)
| No effect |
Bouncing | Emulates a loose object lying or bouncing on, and interacting with, the vibrating string. This is very random by nature and can’t be synchronized. | Controls the gravity constant for the object lying/bouncing on the string. | The stiffness of the object | The damping of the object |
Bound | A boundary that limits and reflects string movement. This is much like a fingerboard that limits string movement when the string is plucked very firmly. | The distance from the boundary center position to the string resting position | The slope (steepness) of the boundary. A value of 0.0 places the boundary parallel to the string. Other values move the boundary closer to the string on one end and farther away on the other. | The amount of reflection at the boundary limits |
Mass | Used to model an additional mass attached to the string. This can lead to inharmonic sounds, and very interesting results, if the position of this mass is modulated along the string. | The mass size/weight | No effect | No effect |
Damp | Localized damper, which is useful for soft damping | The intensity of the damping | The damping characteristics | The width of the damped string section |
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