Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Vintage B3 Motor parameters in Logic Pro for iPad
The advanced Leslie cabinet parameters shown in the Rotor Cabinet section are divided into three groups: Cabinet, Motor, and Brake. See Vintage B3 Cabinet parameters and Vintage B3 Brake parameters.
The microphone parameters are described in Vintage B3 Microphone parameters.
Motor parameters
Acc/Dec Scale knob and field: Set the time required for the rotors to attain the speed set with the Max Rate knob and also the time required for them to slow down. The Leslie motors need to physically accelerate and decelerate the speaker horns in the cabinets, and their power to do so is limited. Turn Acceleration to the far left position to switch to the preset speed immediately. As you rotate the knob to the right, it takes more time to hear the speed changes. At the default, centered, position the behavior is Leslie-like.
Rotor Fast Rate knob and field: Set the maximum possible rotor speed.
Motor Control pop-up menu: Choose different speeds for the bass and treble rotors. Use the Rotation switch to choose slow, brake, or fast mode. See Rotor Cabinet controls.
Normal: Both rotors use the speed determined by the Rotation switch position.
Inv (inverse): In fast mode, the bass compartment rotates at a fast speed, while the horn compartment rotates slowly. This is reversed in slow mode. In brake mode, both rotors stop.
910: The 910 (also known as “Memphis”), stops the bass drum rotation at slow speed, while the speed of the horn compartment can be switched. This is useful when you’re after a solid bass sound but still want treble movement.
Sync: The acceleration and deceleration of the horn and bass drums are roughly the same. This sounds as if the two drums are locked, but the effect is clearly audible only during acceleration or deceleration.
Note: If you choose Single Cabinet from the Cabinet pop-up menu, the Motor Control setting is not relevant because there are no separate bass and treble rotors in a single cabinet.
Speed Control pop-up menu: Choose a MIDI controller that is used to remotely switch the rotor speed. All items (except ModWheel) in the pop-up menu switch between Fast and the speed set with the Rotor Speed switch positions—either switching between Slow and Fast, or switching between Brake and Fast. If Fast is chosen, the rotor speaker switches between Fast and Slow.
Note: When using a pedal to control rotor speed, you can hold down the pedal for a second or so, then release it to activate braking. Repeat to switch to the previously active speed mode: Fast or Slow.
Mod Wheel: Assigns the modulation wheel to switch between all three speed settings. Brake is selected around the modulation wheel center position, slow is selected in the lower third, and fast in the upper third of the modulation wheel range.
Mod Wheel Toggle: Switches as soon as the modulation wheel moves away from the centered position. If the modulation wheel passes the center position when moved from a high to low position, no switching occurs. This caters to Roland keyboards with combined pitch bend and modulation controls.
Mod Wheel Temp: Switches as soon as the modulation wheel passes the center position, regardless of whether you have moved the modulation wheel from high to low or from low to high positions. This caters to Roland keyboards with combined pitch bend and modulation controls.
Touch: Switches with aftertouch on messages. No switching occurs on aftertouch release.
Touch Temp: Switches with aftertouch on messages. A second switch occurs with aftertouch release messages.
Sustain Pedal Toggle: Switches when you press the sustain pedal. No switching occurs when the sustain pedal is released.
Sustain Pedal Temp: Switches when you press the sustain pedal. A second switch occurs when you release the sustain pedal.
CC #18 and CC #19 Toggle: Switches when you press controller 18 or 19. No switching occurs when either controller is released.
CC #18 and CC #19 Temp: Switches when you press controller 18 or 19. A second switch occurs when you release controller 18 or 19.
Sostenuto Toggle: Switches when you play sustained notes. No switching occurs when you don’t play sostenuto.
Sostenuto Temp: Switches when you play sustained notes. A second switch occurs when you release played notes.
Una Corda Toggle: Switches when you press the soft pedal. No switching occurs when the soft pedal is released.
Una Corda Temp: Switches when you press the soft pedal. A second switch occurs when you release the soft pedal.
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