Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Use a single-channel controller with Vintage B3 in Logic Pro for iPad
If you don’t have a master keyboard that allows multichannel transmission, you can use a MIDI keyboard that is capable of transmitting on only one MIDI channel. You can use Vintage B3 Split parameters to split the keyboard in order to play upper, lower, and pedal sounds in different keyboard zones. Each keyboard zone can be transposed independently.
Set the keyboard mode
In Logic Pro, choose an option from the Keyboard Mode pop-up menu.
Single: Uses the entire keyboard. You can only play the upper sound.
Split: Divides the keyboard into two. You can play the upper and lower sounds in different keyboard zones.
Multi: Divides the keyboard into three. You can play the upper, lower, and pedalboard sounds in different keyboard zones.
Note: Technically, Vintage B3 remaps the incoming single-channel MIDI data into two or three MIDI channels when either split or multi keyboard mode is active.
Change the default MIDI channels
Changing MIDI channels can be useful when you perform live and require quick access to another sound module.
In Logic Pro, choose Multi from the Keyboard Mode pop-up menu.
Change the channel numbers for the upper, lower, and pedal manuals with the Pedal, Lower, and UM MIDI Ch pop-up menus.
Set keyboard zones
In Logic Pro, choose Split from the Keyboard Mode pop-up menu in the Keyboard parameter section.
Tap the StLMSP and/or the StUMSP button.
Choose a note name/number in the Split Point Pd/LM pop-up menu and/or the SP LM/UM pop-up menu.
Note: If you select the same value for both split points, the lower manual is turned off. If the lower/pedal split is moved above the upper/lower split, the other split point is moved (and vice versa).
Transpose keyboard zones by octaves
You can make transpositions that are independent of the global Vintage B3 Tune parameter or transposition features of Logic Pro. These have no impact on the preset keys which is particularly important when you want to use preset switching. See Use Vintage B3 preset keys when split keyboard mode is active.
In Logic Pro, choose Split from the Keyboard Mode pop-up menu.
Choose an octave value (+/– 2 octaves) in one or more of the Transpose Pedal, Transpose LM, or Transpose UM pop-up menus.
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