Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Vintage B3 Microphone settings in Logic Pro for iPad
Vintage B3 provides modeled microphones that pick up the sound of the Leslie cabinet. You can set the listening position with these parameters.
Microphone parameters
Horn/Drum Mic pop-up menus: Choose a microphone type for the horn and drum speakers when Real Cabinet is chosen in the Cabinet pop-up menu in the Rotor Cabinet section.
Dynamic: Emulates the sound of a dynamic cardioid microphone. This microphone type sounds brighter and more cutting than the Condenser mic.
Condenser: Emulates the sound of a studio condenser microphone. The sound of condenser microphones is fine, transparent, and well-balanced.
Mid-Side Mic: A Middle and Side (MS) configuration where two microphones are positioned closely together. One is a cardioid (or omnidirectional) microphone that directly faces the cabinet—in a straight alignment. The other is a bidirectional microphone, with its axes pointing to the left and right of the cabinet at 90° angles. The cardioid microphone captures the middle signal to one stereo side. The bidirectional microphone captures the side signal to the other stereo side.
Mic Position switch: Choose either the Front or Rear position for the virtual microphone.
When Real Cabinet is chosen in the Cabinet pop-up menu in the Rotor Cabinet section:
Horn Width knob and field: Define the stereo width of the Horn deflector microphone.
Drum Width knob and field: Define the stereo width of the Drum deflector microphone.
When other cabinets are chosen in the Cabinet pop-up menu in the Rotor Cabinet section:
Mic Distance knob and field: Determine the distance of the virtual microphones (the listening position) from the emulated speaker cabinet. Turn to the right for a darker and less defined sound.
Mic Angle knob and field: Define the stereo image by changing the angle of the simulated microphones between 0 and 180 degrees.
Balance slider and field: Set the balance between the horn and drum microphone signals.
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