Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Match EQ parameters in Logic Pro for iPad
Match EQ offers the parameters described in this section.
Match EQ parameters
Current Material Learn button: Start or stop the process of learning the frequency spectrum of the project you want to match with the source file or input.
Reference Material Learn button: Start or stop the process of learning the frequency spectrum of the source file or input.
Crnt/Ref Actions pop-up menus: Choose and execute commands from either the Current or Reference Actions pop-up menu.
Clear Current Material/Reference Spectrum: Clears the Current Material Spectrum or Reference Spectrum.
Copy Current/Reference Spectrum: Copies the Current Material Spectrum or Reference Spectrum to the Clipboard.
Paste Current/Reference Spectrum: Pastes the Current Material Spectrum or Reference Spectrum from the Clipboard.
Match button: Match the frequency spectrum of the current material to that of the template (source) file.
Phase pop-up menu: Choose the operational principle of the filter curve.
Linear: Prevents processing from altering the signal phase, but latency is higher.
Minimal: Alters the signal phase (slightly), but latency is reduced.
Minimal, Zero Latency: Adds no latency, but has a higher CPU overhead than the other options.
Channel Link knob: Change the way the EQ curve is applied to stereo channels.
When set to 100%, both channels share a common EQ curve.
When set to 0%, a separate filter curve is applied for the left and right channel.
Settings between 0 and 100% blend these values with your filter curve changes for each channel. This results in a hybrid curve.
Note: The Channel Link parameter is disabled when you use the effect on a mono channel.
Smoothing knob and field: Set the amount of smoothing for the filter curve, using a constant bandwidth set in semitone steps. A value of 0.0 has no impact on the filter curve. A value of 1.0 means a smoothing bandwidth of one semitone. A value of 4.0 means a smoothing bandwidth of four semitones (a major third). A value of 12.0 means a smoothing bandwidth of one octave, and so on.
Note: Smoothing has no effect on any manual changes you make to the filter curve.
Apply Amount slider and field: Determine the impact of the filter curve on the signal.
Values above 100% magnify the effect.
Values below 100% reduce it.
Negative values (−1% to −100%) invert the peaks and troughs in the filter curve.
A value of 100% has no impact on the filter curve.
Fade Extremes button: Select to set an automatic high cut and low cut threshold. Matching signals above or below these thresholds are slowly faded to zero.
Fade LF Bottom/Top sliders: Set the bottom and top frequencies for the filter curve that is applied to low frequency spectrum signals.
Fade HF Bottom/Top sliders: Set the bottom and top frequencies for the filter curve that is applied to high frequency spectrum signals.
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