Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
EVOC 20 TrackOscillator output controls in Logic Pro for iPad
The output section provides control over the type, stereo width, and level of signal that is sent from EVOC 20 TrackOscillator. This includes control of voiced and unvoiced sounds.
To explain, human speech consists of a series of voiced sounds—tonal sounds or formants—and unvoiced sounds. The main distinction between voiced and unvoiced sounds is that voiced sounds are produced by an oscillation of the vocal cords, whereas unvoiced sounds are produced by blocking and restricting the air flow with lips, tongue, palate, throat, and larynx.
If speech containing voiced and unvoiced sounds is used as a vocoder analysis signal but the synthesis engine doesn’t differentiate between voiced and unvoiced sounds, the result sounds rather weak. To avoid this problem, the synthesis engine of a vocoder must produce different sounds for the voiced and unvoiced parts of the signal.
EVOC 20 TrackOscillator includes an unvoiced/voiced detection circuit which identifies unvoiced elements of the sound in the analysis signal. Corresponding portions in the synthesis signal are then replaced with noise, with a mixture of noise and synthesizer signal, or with the original signal. If the U/V detection circuit identifies voiced parts, it passes this information to the synthesis section, which uses the normal synthesis signal for these portions.
About formants
A formant is a peak in the frequency spectrum of a sound. In the context of human voices, formants are the key component that enables humans to distinguish between different vowel sounds—based purely on the frequency of the sounds. Formants in human speech and singing are produced by the vocal tract, with most vowel sounds containing four or more formants.
Output parameters
U/V Sensitivity knob and field: Determine how responsive U/V detection is. Turn to the right for higher settings, where more of the individual unvoiced portions of the input signal are recognized. When high settings are used, the increased sensitivity to unvoiced signals can lead to the U/V sound source being used on the majority of the input signal, including voiced signals. Sonically, this results in a sound that resembles a radio signal that is breaking up and contains a lot of static, or noise. The U/V sound source is determined by the U/V Src. pop-up menu.
U/V Source pop-up menu: Choose the sound sources used to replace the unvoiced content of the input signal.
Off: Do not replace unvoiced portions of the sound with a noise or synth signal.
Noise: Use noise alone for the unvoiced portions of the sound.
Noise + Synth: Use noise and the synthesizer for the unvoiced portions of the sound.
Blend: Use the analysis signal after it has passed through a highpass filter for the unvoiced portions of the sound. The Sensitivity parameter has no effect when this setting is used.
U/V Level slider and field: Set the volume of the signal used to replace the unvoiced content of the input signal.
Important: Be careful with the U/V Level control, particularly when using a high U/V Sensitivity value, to avoid internally overloading EVOC 20 TrackOscillator.
Output Level knob and field: Set the overall volume of the output signal.
Stereo knob and field: Distribute the output signals of the synthesis section filter bands in the stereo field.
At the 0 position to the left, the outputs of all bands are centered.
At the centered position, the outputs of all bands ascend from left to right.
At the Full position to the right, the bands are output—alternately—to the left and right channels.
Stereo Mode pop-up menu: Choose the input/output mode.
In Mono/Stereo mode (mono input/stereo output), a stereo input signal is first summed to mono before being routed to the filter banks.
In Stereo/Stereo mode (stereo input/output), the left and right channels are processed by separate filter banks.
Out buttons: Choose the signal that is sent to the plug-in main outputs.
Voc(oder): Hear the vocoder effect.
Syn(thesis): Hear only the synthesizer signal.
Ana(lysis): Hear only the analysis signal.
Note: The last two settings are mainly useful for monitoring purposes.
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