Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Sculpture excite objects 1 and 2 in Logic Pro for iPad
Before you look at the tables of object types and properties, you should note the following:
Object 1 can only use the excite types found in the first table.
Object 2 can use the excite and disturb/damp types available in both tables.
Object 3 can only use the disturb/damp types found in the second table. See Sculpture disturb and damp objects 2 and 3.
The table outlines all excite types available for Objects 1 and 2, and provides information on the controls available for each object type.
Name | Description | Strength controls | Timbre controls | Variation controls |
|---|---|---|---|---|
Impulse | A short impulse excitation | Impulse amplitude | Width | Velocity dependence of width |
Strike | Short excitation, like a piano hammer or mallet | Hammer start speed (velocity dependent) | Hammer mass | Felt stiffness |
GravStrike | Like hammer but with gravitation toward the string, leading to multiple hammer-string interactions and disturbed string vibrations | Hammer start speed | Felt stiffness | Gravitation |
Pick | Finger or plectrum picking | Pickup force and speed | Force/speed ratio | Plectrum stiffness |
Bow | Bowing of the string | Bow speed | Bow pressure | Slip stick characteristics |
Bow wide | Same as bow, but wider, resulting in a more mellow tone, especially suited for smooth bow position changes | Bow speed | Bow pressure | Slip stick characteristics |
Noise | Noise injected into the string | Noise level | Noise bandwidth/cutoff frequency | Noise resonance |
Blow | Blow into one end of the string (an air column, or tube). At various positions, starting from 0.0 (far left), move the blowing direction and position from along the string toward one end. The string is blown sideways at the chosen position. | Lip clearance | Blow pressure | Noisiness |
External (available only for Object 2) | Feeds side chain signal into string. | Level | Cutoff frequency of lowpass filter being used to process side chain signal | Width (size) of the string area being affected by the side chained signal |
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