Logic Pro User Guide for iPad
- What’s new in Logic Pro 1.1
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Global controls
Global controls affect the overall output signal of your synthesizer.
Common global controls
Level or Volume: Sets the overall loudness of your sound. This control is the master output volume control of your synthesizer.
Tune: Sets the overall pitch of your sound—typically in semitone steps. Many Logic Pro instruments provide additional fine-tuning in cents; a hundredth of a semitone.
Glide (portamento): Sets the amount of time that it takes for one note pitch to slide up or down to another note pitch. This control is useful for emulating wind instruments that slide from note to note, rather than move directly to another clear and distinct pitch.
Bender/bend range: Bends the pitch—the oscillator frequency—up or down. This control is generally hard-wired to a pitch bend wheel on a keyboard. As the name suggests, moving the wheel up or down from its centered position bends the pitch up or down. The Bender/Bend Range parameter usually has an upper and lower limit of one octave but is typically set to around three semitones up or down. This setting is ideal for emulating small (or extreme) pitch fluctuations that occur in some instruments—such as when moving between notes with a trumpet, or bending the strings during a guitar solo.
Voices: Sets an upper limit to the number of notes that can be played at a given time. Producing notes simultaneously is known as the polyphony—literally, “many voices”—of the instrument. The Voices parameter sets an upper limit to the number of notes that can be produced simultaneously.
Unison: Used to “stack” voices—with the unison voice being heard one octave above the frequency of the played note. Because two voices are being used when you play a note, unison has two effects—it makes the sound richer and fuller, and it halves the polyphony.
Trigger mode: Determines how the polyphony of the instrument is handled when the number of notes played exceeds the number of available voices. Trigger mode also allows you to assign legato mode. Essentially, this control changes the way the synthesizer responds to your playing technique. It is invaluable when you’re emulating monophonic instruments, such as flutes, clarinets, and trumpets. When you use the trigger mode control and assign a last note priority, the played note is cut off by playing another note.
Last note priority: When new notes are triggered while all voices are playing, the synthesizer frees up polyphony (voices) by ending the notes played earliest. This is the default trigger mode of Logic Pro synthesizers when in a monophonic mode.
First note priority: Notes played earlier are not stopped. In this mode you need to stop playing notes in order to play a new one after you have reached the limit of the polyphony (voices) of the instrument.
Note: The trigger mode parameter can also allow you to set priorities for lower- or higher-pitched notes when playing monophonically (one voice at a time) in some synthesizers, such as Alchemy.
There are many other global controls found on different synthesizer models that have an impact on your overall sound.
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