Logic Pro User Guide for Mac
- Welcome
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- What’s new in Logic Pro for Mac 10.8
- What’s new in Logic Pro for Mac 10.7.8
- What’s new in Logic Pro for Mac 10.7.5
- What’s new in Logic Pro 10.7.3
- What’s new in Logic Pro 10.7
- What’s new in Logic Pro 10.6
- What’s new in Logic Pro 10.5
- What’s new in Logic Pro 10.4
- What’s new in Logic Pro 10.3
- What’s new in Logic Pro 10.2
- What’s new in Logic Pro 10.0
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- What is Logic Pro for Mac?
- Logic Pro project basics
- Use menu commands and key commands
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
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- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
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- Play a project
- Set the playhead position
- Control playback with the transport buttons
- Use transport shortcut menus
- Use transport key commands
- Customize the control bar
- Change the LCD display mode in Logic Pro for Mac
- Monitor and reset MIDI events
- Use the cycle area
- Use the Chase Events function
- Use Apple Remote to control Logic Pro
- Use Logic Remote to control Logic Pro projects
- Preview projects in the Finder
- Close projects
- View project information
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- Tracks overview
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- Create tracks
- Create tracks using drag and drop
- Create tracks using existing channel strips
- Assign tracks to different channel strips
- Choose the default region type for software instrument tracks
- Select tracks
- Duplicate tracks
- Rename tracks
- Change track icons
- Change track colors
- Reorder tracks
- Zoom tracks
- Replace or double drum sounds
- Control timing with the groove track
- Use selection-based processing
- Edit track parameters
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- Overview
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- Before recording software instruments
- Play software instruments
- Record software instruments
- Record additional software instrument takes
- Overdub software instrument recordings
- Spot erase software instrument recordings
- Use Note Repeat
- Replace software instrument recordings
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Use step input recording techniques
- Record MIDI messages from another music app
- Use the metronome
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- Arranging overview
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- Regions overview
- Select regions
- Select parts of regions
- Cut, copy, and paste regions
- Move regions
- Add or remove gaps
- Delay region playback
- Loop regions
- Repeat regions
- Resize regions
- Mute and solo regions
- Time stretch regions
- Reverse audio regions
- Split regions
- Demix MIDI regions
- Join regions
- Create regions in the Tracks area
- Change the gain of audio regions in the Tracks area in Logic Pro for Mac
- Normalize audio regions in the Tracks area
- Create aliases of MIDI regions
- Convert repeated MIDI regions to loops
- Change the color of regions
- Convert audio regions to samples for a sampler instrument
- Rename regions
- Delete regions
- Create groove templates
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- Overview
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- Add notes
- Select notes
- Snap items to the grid
- Move notes
- Copy notes
- Change the pitch of notes
- Resize notes
- Edit note velocity
- Quantize the timing of notes
- Quantize the pitch of notes
- Change note articulations
- Lock the position of events
- Mute notes
- Change note color
- View note labels
- Delete notes
- Time stretch notes
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
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- Logic Pro for Mac advanced editors overview
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- Audio File Editor overview
- Play audio files in the Audio File Editor
- Navigate audio files in the Audio File Editor
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- Audio File Editor edit commands
- Edit audio files with transient markers
- Use the Audio File Editor Pencil tool
- Trim or silence audio files
- Remove DC offset
- Set audio file levels
- Normalize audio files
- Fade audio files
- Reverse audio and invert phase
- Audio File Editor Loop commands
- Undo Audio File Editor edits
- Backup audio files
- Use an external sample editor
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- Mixing overview
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
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- Plug-ins overview
- Add, remove, move, and copy plug-ins
- Insert a plug-in on a track using drag and drop
- Activate plug-ins on inactive channels
- Use the Channel EQ
- Work in the plug-in window
- Work with plug-in settings
- Work with plug-in latencies
- Work with Audio Units in Logic Pro for Mac
- Support for ARA 2 compatible plug-ins
- Use MPE with software instruments
- Use the Plug-in Manager
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
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- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops with other devices
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- Global changes overview
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- Tempo overview
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- Smart Tempo overview
- Use free tempo recording
- Choose the Project Tempo mode
- Choose the Flex & Follow setting
- Use Smart Tempo with multitrack audio
- Work in the Smart Tempo Editor
- Improve the tempo analysis using hints
- Correct tempo analysis results using beat markers
- Protect Smart Tempo edits by locking a range
- Match audio recordings to the project tempo
- Match the tempo to an audio region
- Use audio file tempo information
- Record tempo changes
- Use the Tempo Interpreter
- Use the tempo fader
- Control project volume
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- Overview
- Add notes
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- Part box overview
- View score symbols
- Select score symbols
- Add notes and rests
- Add notes and symbols to multiple regions
- Add key and time signature changes
- Change the clef sign
- Add dynamic marks, slurs, and crescendi
- Change note heads
- Add symbols to notes
- Add trills, ornaments, and tremolo symbols
- Add sustain pedal markings
- Add chord symbols
- Add chord grids and tablature symbols
- Add bar lines, repeats, and coda signs
- Add page and line break symbols
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- Select notes
- Move and copy notes
- Change note pitch, duration, and velocity
- Change note articulations
- Quantize the timing of notes
- Restrict note input to the current key
- Control how ties are displayed
- Add and edit tuplets
- Override display quantization using tuplets
- Add grace notes and independent notes
- Delete notes
- Use automation in the Score Editor
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- Staff styles overview
- Assign staff styles to tracks
- Staff Style window
- Create and duplicate staff styles
- Edit staff styles
- Edit staff, voice, and assign parameters
- Add and delete staffs or voices in the Staff Style window in Logic Pro for Mac
- Copy staffs or voices in the Staff Style window in Logic Pro for Mac
- Copy staff styles between projects
- Delete staff styles
- Assign notes to voices and staffs
- Display polyphonic parts on separate staffs
- Change the staff assignment of score symbols
- Beam notes across staffs
- Use mapped staff styles for drum notation
- Predefined staff styles
- Share a score
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- Key commands overview
- Browse, import, and save key commands
- Assign key commands
- Copy and print key commands
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- Global Commands
- Global Control Surfaces Commands
- Various Windows
- Windows Showing Audio Files
- Main Window Tracks and Various Editors
- Various Editors
- Views Showing Time Ruler
- Views Showing Automation
- Main Window Tracks
- Live Loops Grid
- Mixer
- MIDI Environment
- Piano Roll
- Score Editor
- Event Editor
- Step Editor
- Step Sequencer
- Project Audio
- Audio File Editor
- Smart Tempo Editor
- Library
- Sampler
- Drum Machine Designer
- Step Input Keyboard
- Smart Controls
- Tool Menu
- Control Surface Install Window
- Touch Bar shortcuts
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- Working with your control surface
- Connect control surfaces
- Add a control surface to Logic Pro for Mac
- Automatic assignment for USB MIDI controllers
- Grouping control surfaces
- Control Surfaces settings overview
- Modal dialog display
- Tips for using your control surface
- Supported control surfaces
- Software and firmware for Logic Pro for Mac
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- Environment overview
- Common object parameters
- Customize the Environment
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- Fader objects overview
- Use fader objects
- Play back fader movements
- Work with object groups
- Fader styles
- Fader functions: MIDI events
- Fader functions: range, value as
- Fader functions: filter
- Vector fader
- Special faders overview
- Cable switchers
- Meta event faders
- SysEx faders
- Work with SysEx messages
- Special functions
- Ornament objects
- MMC record buttons
- Keyboard objects
- Monitor objects
- Channel splitter object
- Physical input objects
- Physical input objects
- MIDI click objects
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
- Record MIDI to Track
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- ES2 overview
- ES2 interface overview
- ES2 integrated effects processor controls
- Use ES2 in Surround mode
- Extended parameters
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Use surround range and diversity
- Define MIDI controllers
- Extended parameters
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- Ultrabeat overview
- Ultrabeat interface
- Synthesizer section overview
- Filter section controls
- Distortion circuit controls
- Glossary
- Copyright
Alchemy multiple segment envelopes in Logic Pro for Mac
Modulation components are shown only in advanced view. Click the Advanced button to switch to advanced view.
The Multiple Segment Envelope Generator (MSEG) allows complex modulation envelopes to be created and edited.
The MSEG display shows a graph of envelope generator output. The ruler along the top shows the time in seconds or in beats when Sync is activated. The envelope appears as series of points joined by lines or curves representing the different envelope segments. A Play icon scrolls across the display, tracking the progress of the envelope relative to the most recently played note.
Any number of points can be added to an envelope. The envelope segments linking these points can be linear or curved. A Sync function allows envelopes to be linked to a grid derived from the Logic Pro tempo to create elaborate rhythmic patterns.
Envelopes are created and edited in two basic ways: by adding, moving, or removing points, and by adjusting the curve of the envelope segments between points. See the Edit Mode pop-up menu information.
Two pale gray vertical lines also appear in the MSEG display, each with a small triangular handle shown in the ruler. These are the envelope loop markers. The marker with the left-facing handle sets the loop end point. The marker with the right-facing handle sets the loop start point.
The loop markers are moved by dragging the handles horizontally. The loop start marker cannot be moved to the right of the loop end marker, and the loop end marker cannot be moved to the left of the loop start marker. Loop markers always snap to the nearest point. Also see the Loop Mode pop-up menu information.
MSEG controls
Current MSEG pop-up menu and field: Access each MSEG control panel by choosing a number from the pop-up menu or with the Previous and Next arrows. Alchemy provides up to 16 envelopes—one by default, but more if you create them when assigning modulators.
File button: Open a pop-up menu with a number of MSEG-related commands.
Preset submenu: Choose a preset envelope shape. This can be used as is, or as a starting point for your own envelope shapes.
Save: Save the current envelope. A dialog opens in which you can name and save the envelope file (*.mse). The new envelope name appears at the bottom of the Preset submenu.
Copy/Paste: Use these commands to copy settings between envelopes.
Clear: Initialize the MSEG.
Randomize: Create a random envelope shape. This can be used as is, or as a starting point for your own envelope shapes.
Trigger pop-up menu: Choose On to retrigger the MSEG (start from zero) with each new played note. Off triggers the MSEG for the first note only. Voice On/FX Off modulates voice parameters only, not effects. In Off mode, the MSEG retriggers only for notes received after all other notes have been released.
Note: Settings from earlier application versions may not behave as expected because of the additional trigger option. Change to VoiceOn/FX Off to match the former version behavior, then resave the setting.
Sync button: Turn on to synchronize the MSEG with the project tempo. When you adjust or create envelope points, they snap to bars and beats. Turn off to set envelope point positions freely.
Snap Y pop-up menu and field: Quantize point levels (or y values), limiting them to exact fractions of the available range. For example, a Snap Y setting of 1/3 snaps point levels to the values 0, 1/3, 2/3, and 1 when a point is dragged. Off disables quantization and lets you set point levels freely. You can also step through Snap Y values with the Previous and Next buttons (the arrows).
Note: The Snap Y setting doesn’t move existing point levels into alignment with quantized positions; it only affects the response of points when created or dragged.
Loop Mode pop-up menu and field: Choose one of four MSEG loop modes.
None: Looping is disabled. The loop markers remain visible in the MSEG display but have no effect in this mode.
Continuous: The loop section plays continuously in a forward direction while a note is held and continues after the note is released.
Sustain: The loop section is played while a note is held. When the note is released, the remainder (or release section) of the envelope plays.
Forward/Back: The loop section plays alternately in a forward/backward direction while a note is held and continues after the note is released.
Edit Mode pop-up menu and field: Choose one of three modes that determine how the MSEG responds to edits.
Normal: Only the selected point or points are moved. Non-selected points remain in their current positions.
Slide: Dragging the selected point or points also moves all subsequent envelope points, retaining the relative distance between points.
Stretch: Dragging the selected point or points to the left compresses earlier points and stretches later points. Dragging to the right stretches earlier points and compresses later points. In either case, the total length of the envelope is preserved.
MSEG display: Shows a graph of MSEG output, shown as points connected by lines.
Scroll bar and zoom controls: Drag the middle of the scroll bar to view envelope points that aren’t visible in the display area. Horizontally drag the zoom controls at either end of the scroll bar to resize the contents of the visible display area.
Add or remove an MSEG point
In Alchemy in Logic Pro, to add a point, click on or near a line at the required position in the MSEG display.
To remove a point, double-click it.
Note: Make sure the appropriate Snap Y option is active before creating points. Also be mindful of the Sync button state.
Move one or more MSEG points
In Alchemy in Logic Pro, drag a point to the required position.
The x-axis value (time position) and y-axis value (level) are shown at the pointer position as you drag.
Note: Hold down Command while dragging a point to restrict movement to the horizontal or vertical axis, whichever movement is performed first.
To move several adjacent points together as a group, first drag to select multiple points, then drag any point in the group to the required position.
Note: Make sure the appropriate Edit Mode option is active before moving points. Also be mindful of the Sync button state.
Adjust MSEG envelope segment curvature
In Alchemy in Logic Pro, you can adjust the curvature of each segment between points. Convex, linear, and concave envelope segments produce characteristically different effects.
Drag the line between points upward to make the segment progressively more convex.
Drag the line between points downward to make the segment progressively more concave.
Option-click the line to reset the segment to a linear slope.
Create an MSEG modulation routing for pitch control
Though this example is specific to pitch modulation, you can follow these steps to create a modulation routing for other parameters such as Pan or filter Cutoff.
In Alchemy in Logic Pro, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings.
In the master voice section, click the Coarse Tune knob, and assign MSEG 1 as its modulator.
In the modulation rack, set the MSEG 1 Depth control to 24 semitones.
If the MSEG control panel is not visible, click the MSEG button at the top of the modulation section.
From the Snap Y pop-up menu, choose 1/24.
Now an MSEG envelope can be used to control pitch in semitone increments, over a two-octave (a 24 semitone) range.