MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Alchemy note property modulators in MainStage
Modulation components are shown only in advanced view. Click the Advanced button to switch to advanced view.
Several properties of incoming MIDI note data, as well as values generated per-note by Alchemy, are available as modulation sources.
Note: There is no Note Property control panel display.
Set note properties as modulators
In Alchemy in MainStage, click a slot in the modulation rack, then choose Note Property from the pop-up menu.
Choose one of the following options from the submenu:
Velocity: Modulation based on the velocity values of incoming MIDI note data.
KeyFollow: Modulation based on incoming MIDI note numbers. The modulation value glides to the value of higher-pitched notes. The Glide value is determined by the Glide parameter in the master voice section. See Alchemy master voice section in MainStage.
KeyFollowFixed: As per KeyFollow, but the modulation value increases as you play higher pitches on your MIDI keyboard. This is a bipolar source, with C3 corresponding to zero.
Aftertouch: Modulation based on channel or polyphonic aftertouch data.
Speed: Modulation based on the elapsed time between notes. A progressively slower sequence of notes results in progressively greater modulation values.
Held: A modulation signal that rises to full-scale immediately at note-on and falls to zero immediately at note-off.
FlipFlop: A modulation signal that is alternately full-scale and zero on successive notes.
FlipFlop2: Like FlipFlop, but the value reverses every two notes: zero, zero, full, full, in a repeating pattern.
Note: The FlipFlop modulators can be used together to create a round robin involving all four sources. To do this, set Morph mode to Morph XY or XFade XY, set the Morph X and Y knobs to 0%, then modulate X with FlipFlop and Y with FlipFlop2 or vice versa. See Alchemy morph controls in MainStage.
SteppedA2/3/4: SteppedA4 behaves like Stepped4, except it resynchronizes to zero when the Arp is at the start of a pattern. SteppedA2 behaves like FlipFlop, except it resynchronizes to zero when the Arp is at the start of a pattern. SteppedA3 is similar to Stepped4, except with three steps.
Stepped4/8/16: Similar to FlipFlop, but cycles between the number of values (4, 8, or 16) at each subsequent note-on. Steps are spaced at equal increments, starting from a value of zero. If you need further control, you can use a ModMap to define values for each step. See Alchemy ModMap in MainStage.
Random1-4: Modulation based on a fixed random value per note. This is a unipolar source with values ranging from zero through full-scale. The four random sources are independent of each other.
PitchBend: Modulation based on MIDI pitch-bend messages. This is a bipolar source with values ranging from negative full-scale through positive full-scale.
Max: Modulation based on a constant full-scale value.
Polyphony: A modulation signal that is larger when there are more notes playing and smaller when there are fewer notes playing. Technically, the current number of played notes is divided by the total polyphony. This parameter may be useful for reducing volume when lots of notes are played. Polyphony is determined by the Num parameter in the master voice section. See Alchemy master voice section in MainStage.
ArpMod A/B/C/D 1-2: Assign parameters for arpeggiator control.
The assigned parameters are controlled by the arpeggiator. The Poly Mod 1 and Poly Mod 2 pop-up menu assignments in the arpeggiator correspond to these parameters. When the arpeggiator is in All mode (denoted by the A), one arpeggiator is used for all sources. When you use multiple arpeggiators to control individual sources, Poly Mod options A/B/C/D are shown in the Note Properties pop-up menu. See Alchemy arpeggiator sequencer in MainStage.