MainStage User Guide
- Welcome
-
- Overview of Edit mode
-
- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
-
- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
-
- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
-
- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
-
- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
-
- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
-
- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
-
- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
-
- Layout mode overview
-
- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
-
- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
-
- Overview of keyboard shortcuts and command sets
-
- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
-
-
- Use MIDI plug-ins
-
- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
-
- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
-
-
- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
-
- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
-
- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
-
- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
-
- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
-
- Copyright
Build a custom Amp Designer combo in MainStage
You can use one of the default models or you can create your own hybrid of different amplifiers, cabinets, and so on. You create your own by using the Amp, Cabinet, and Mic pop-up menus, located at the bottom of the window, as well as the EQ pop-up menu.
Note: If you create your own hybrid amp combo, you can use the Settings pop-up menu to save it as a setting file, which also includes any parameter changes you have made.
Choose an Amp Designer amplifier
In MainStage, choose an amplifier from the Amp pop-up menu. See Amp Designer models for details on the characteristics of each amplifier type.
Choose an Amp Designer cabinet
Cabinets have a huge impact on the character of a guitar sound (see Amp Designer cabinets).
Whereas certain amplifier and cabinet pairings have been popular for decades, departing from them can be an effective way to create fresh-sounding tones. For example, most players automatically associate British heads with 4 x 12” cabinets. Amp Designer lets you drive a small speaker with a powerful head, or pair a tiny amp with a 4 x 12” cabinet. You can experiment with random amplifier and cabinet combinations, but you can also make an educated guess about nontraditional combinations by considering the variables that determine the “sound” of the cabinet.
In MainStage, choose a cabinet from the Cabinet pop-up menu. Use the following considerations to guide your decision:
Combos or Stacks: Combo amps include both an amplifier and speakers in a single enclosure. These usually have an open back, so the sound resonates in multiple directions. The resulting sound is open—with bright, airy highs and a spacious sound. Amplifier stacks consist of an amplifier head, with the speakers in a separate cabinet. These cabinets generally have a closed back and project the sound forward in a tight, focused beam. They tend to sound more powerful than open-back cabinets, and typically have a tighter low-end response at the expense of some high-end transparency.
Old or New Speakers: Amp Designer models based on vintage cabinets capture the character of aged speakers. These may be a bit looser and duller sounding than new speakers, but many players prefer them for their smoothness and musicality. Sounds based on new cabinets tend to have more snap and bite.
Large Speakers or Small Speakers: A larger speaker doesn’t guarantee a larger sound. In fact, the most popular bass guitar cabinet in history uses 8” speakers. You can often get a deeper, richer tone from a 10” speaker than from a large 4 x 12” cabinet. Try several sizes and choose the one that works best for your music.
Single Speakers or Multiple Speakers: Guitarists typically choose cabinets with multiple speakers for their big sound. The number of speakers is less important than it may appear. Phase cancelations occur between the speakers, adding texture and interest to the tone. Much of the “classic rock” sound, for example, is due to tonal peaks and dips caused by interactions between the speakers in a 4 x 12” cabinet.
Choose a microphone type and placement
In MainStage, choose a microphone model from the Mic pop-up menu.
Condenser models: Emulate the sound of high-end studio condenser microphones. The sound of condenser microphones is fine, transparent, and well-balanced. Choose Condenser 87 or Condenser 414.
Dynamic models: Emulate the sound of popular dynamic cardioid microphones. Dynamic microphones sound brighter and more cutting than Condenser models. The mid-range is boosted, with softer lower-mid frequencies, making dynamic microphones a good choice for rock guitar tones, especially if you want guitars to cut through other tracks in a mix. Choose Dynamic 20, Dynamic 57, Dynamic 421, or Dynamic 609.
Ribbon 121: Emulates the sound of a ribbon microphone. A ribbon microphone is a type of dynamic microphone that captures a sound often described as bright or brittle, yet still warm. It is useful for rock, crunch, and clean tones.
Drag the white dot in the graphic above the Mic pop-up menu to set the microphone position and distance relative to the cabinet.
Choose and adjust an EQ type
In MainStage, click the word EQ or CUSTOM EQ above the Bass, Mids, and Treble knobs to open the pop-up menu, then choose an EQ model. See Amp Designer EQ overview.
Rotate the Bass, Mids, and Treble knobs to adjust the EQ model you choose.