MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Use the Alchemy arpeggiator in MainStage
The arpeggiator is shown only in browse or advanced view. Click the Browse or Advanced button to switch to either view, then click the Arp button in the Perform/Arp/Effects section.
Follow the steps outlined in the tasks to use the Alchemy arpeggiator.
Turn the selected arpeggiator on or off in Alchemy
In Alchemy in MainStage, click the All/A/B/C/D button to select an arpeggiator in the Arpeggiator section, then do one of the following:
Set the Mode knob to any value other than off to enable the arpeggiator. Set the Mode knob to Off to stop the arpeggiator.
Set the Latch knob to any value other than off to enable the arpeggiator. Set the Latch knob to Off to stop the arpeggiator.
Stop the MainStage transport.
Create classic arpeggiator patterns in Alchemy
In Alchemy in MainStage, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings.
Click the Arp button to show the arpeggiator section. All is selected by default.
Turn the Mode knob to select Up, Down, Up/Down, or Down/Up mode.
Play a chord and hold it: the individual notes of the chord are arpeggiated with regular 8th notes.
Try one or more of the following:
Set the Rate knob to 1/16 to create 16th note arpeggios instead of 8th notes.
Set the Octave knob to 2 or 3, so the pattern is transposed up by octaves before repeating at the original pitch.
Adjust the Swing knob to add a swing feel. Note that this knob is capable of extreme settings, so use lower values for a normal swing feel. Values around 25% result in a strong swing feel. Values of 10% or lower result in a subtle, relaxed feel to the groove.
Set the Latch knob to Hold to make the arpeggio continue cycling after you release the keys.
Experiment with Trigger mode. With Trigger turned on, the arpeggiator feels more responsive and allows you to deliberately restart the pattern with your playing. It also allows you to play out of time with the rest of the project.
Create an octave bouncing bassline in Alchemy
In Alchemy in MainStage, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings.
Click the Arp button to show the arpeggiator section. All is selected by default.
Turn the Mode knob to select Up, Down, Up/Down, or Down/Up mode.
Set the Octave knob to 2.
Play single notes in the lower registers: each note bounces up and down one octave, with an 8th note timing.
Rotate the Length knob to change note lengths. Higher settings result in a more legato feel, while lower settings create shorter staccato notes.
Arpeggiate multiple sources with different settings for each in Alchemy
In Alchemy in MainStage, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings.
Click the Arp button to show the arpeggiator section. All is selected by default.
Click the A button at the top left of the arpeggiator.
This switches the display to show settings for the source A arpeggiator. You can have a separate arpeggiator for each source instead of the single global arpeggiator available in All mode.
Turn the Mode knob to enable the source A arpeggiator, then play a chord, and adjust the Rate and Octave knobs to suit.
Turn on source B. Switch to advanced view if required.
Click the B button at the top left of the arpeggiator.
This switches the display to show settings for the source B arpeggiator. The settings you made for the source A arpeggiator are not changed.
Turn the Mode knob to enable the source B arpeggiator, then play a chord, and adjust the Rate and Octave knobs to suit.
Choosing a different mode results in source A and B alternately playing in unison or playing intervals from within the chord you play. Try setting one of the arpeggiators to Random mode to add a level of unpredictability. Choose different Rate settings to change the playback timing of sources. Try combining a straight timing for one source with a triplet or dotted timing for another to create complex polyrhythms.
Repeat steps 5-7 for sources C and D if you require additional arpeggiated sources.
Note: You need at least four note polyphony to hear all four arpeggiated sources at once. See Alchemy master voice section in MainStage.
Create a more complex arpeggiator pattern using the sequencer section in Alchemy
In Alchemy in MainStage, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings.
Click the Arp button to show the arpeggiator section. All is selected by default.
Turn the Mode knob to select Up, Down, Up/Down, or Down/Up mode.
Click the Step button to switch to Step edit mode, then choose Velocity from the pop-up menu.
Adjust step levels for the Velocity sequence to introduce volume changes. Try turning down all even numbered steps for a groovier feel, or Option-click specific steps to disable them, thus creating a rest for that step.
Choose Length from the pop-up menu to display the length sequence. Experiment with shorter or longer notes for different steps: try lengthening odd numbered steps and shortening even numbered steps to enhance the groove.
Try tying a step to the next step by clicking the link symbol at the bottom. Experiment with tying different steps to generate different rhythms and with tying multiple subsequent steps to create a long note that spans several steps.
Create a step sequencer style pattern with pitch glides in Alchemy
In Alchemy in MainStage, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings.
Click the Arp button to show the arpeggiator section. All is selected by default.
Turn the Mode knob to select Up, Down, Up/Down, or Down/Up mode.
Set the Rate knob to 1/4. You can also choose to use a small Swing knob value to create a looser feel.
Click the Multi button to switch to Multi edit mode.
Turn off several steps in the top Gate row to create a different rhythmic pattern. As an option, you can also adjust the Pan knobs to position steps left or right in the stereo field.
Click buttons in the Tie row to tie two or more steps.
Drag vertically in a Tune field for one of your tied steps. This results in a pitch change partway through the note. Values of +/- 12 semitones can work well to produce octave shifts up or down, but other values can also produce useful results: try +7 semitones for example, or -2.
Switch to advanced view if required, then click the Global button, and set the Num(ber) of voices to 1 to create a monophonic preset. See Alchemy master voice section in MainStage.
Set the voice mode to Legato.
Click the Time button to set the Glide mode.
Set a small Glide knob value, such as 50ms or lower, to introduce pitch glides for tied and detuned steps. This results in smooth, rather than jarring, pitch transitions.
Create synchronized rhythmic pulsing chord patterns in Alchemy
In Alchemy in MainStage, click the File button in the Name bar and choose Initialize Preset from the pop-up menu to reset all Alchemy parameters to default settings.
Click the Arp button to show the arpeggiator section. All is selected by default.
Turn the Mode knob to Chord.
Set the Rate knob to 1/4. You can also choose to use a small Swing knob value to create a looser feel.
Click the Multi button to switch to Multi edit mode.
Turn off a significant number of steps to make the pattern simpler. For example, enable only steps 1, 4, 7, 10, 13, and 15 to create a triplet polyrhythm.
Choose Off in the Trigger pop-up menu to prevent the arpeggiator from retriggering when you play a chord.
You can choose to perform similar operations on further patterns, chosen with the Pattern knob. Use different values for each pattern to create complex polyrhythms.
As a further option, Control-click the Pattern knob, then choose Add Modulation from the shortcut menu, and link it to one of the performance controls. This lets you use the assigned performance control to switch between patterns while playing.