MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Use Sampler Group view in MainStage
You can choose from three editor views in the Mapping pane: Key Mapping Editor, Group view, and Zone view. Click the buttons at the top right to switch between these edit panes. The menu bar at the top of the Mapping pane contains elements that are common to all editor views. See Mapping pane menu bar.
In Group view, you can: View and edit all group parameters, organized into columns, with related parameters shown in subcolumns. Group parameters provide simultaneous control of all zones assigned to the group.
Click a group name or number to select it, or Shift-click or drag (from an empty area outside any group) to select multiple groups. You can also select groups with your MIDI keyboard.
Note: To enable the selection of groups with a MIDI keyboard, turn on the Select from Last Played Keys > Groups or Groups and Zones menu option in the Mapping pane Edit menu.
Note: When multiple groups are selected, changes to parameter values affect all selected groups. Each group has a number that you can click to move focus to that specific group, when multiple groups are selected. The focus feature makes it easier for you to edit complex mappings that contain multiple overlapping groups.
Value changes are relative. For example, in two selected groups with High Velocity values of 12 and 27, reducing the value of the first group to 10 reduces the second group value to 25.
Click parameter subcolumn headers to sort groups. For example, click the Low Key Range subcolumn header to sort zones by the lowest note.
Control-click a parameter column header to open a shortcut menu where you can hide or show individual group parameters. You can also quickly show all columns, restore the default column view, and restore the default column width.
Horizontally drag parameter columns to resize.
Drag the scrollbars to navigate to non visible group parameters. You can also use a two-finger swipe on your trackpad to scroll vertically or horizontally. If you are using a Magic Mouse, use single-finger swipes.
Group view parameters
Drag vertically in parameter value fields to change them. For example, vertically drag the value shown for a group in the Pan column to change it. Alternatively, you can double-click in a field and enter a value, then press the Return key.
Group parameters: New groups are automatically assigned a consecutive number.
Mute button: Mute or unmute a group.
Solo button: Solo or unsolo a group. All other groups are silenced when active. You can solo multiple groups.
Name field: Displays the group name. Double-click to enter a new group name.
Mixer parameters: Globally adjust group settings.
Volume field: Adjust the overall level of the group—and, therefore, the volume of all zones in the group. This works much like a subgroup on a mixing console.
Pan field: Adjust the pan position of the group—stereo balance for stereo samples—and the pan position of all assigned zones simultaneously.
Output field: Use to define the outputs used by the group. Choices include the main outputs, paired channels, or individual outputs. This allows individual groups to be routed independently to aux channels in a multi-output Sampler instance.
Key Range parameters: Use to define a key range for the group. When you play notes outside this range, zones assigned to this group will not be heard.
Low field: Set the lowest note for the group.
High field: Set the highest note for the group.
XFade Type pop-up menu: Choose the crossfade type that best suits the group audio material. The Linear dB and Linear Gain options scale the amplitude for the group crossfade. Equal Power applies an exponential crossfade curve that causes a volume boost of 3 dB in the middle of the crossfade range. This fades out/fades in at an equal volume level. See Fade between sample groups in Sampler.
XFade field: Set the crossfade range for zones grouped by the specified key range. Only zones within the specified key range are crossfaded.
Velocity Range parameters: Use to define a velocity range for the group. When you play notes outside this velocity range, you will not hear zones assigned to this group. This feature is useful when you want to dynamically mix—or switch between—grouped zones (samples) by playing your MIDI keyboard harder or softer. This is ideal for layered sounds, such as a piano/string layer, or when switching between different percussion samples, as examples.
Low field: Set the lowest velocity that triggers the group.
High field: Set the highest velocity that triggers the group.
XFade Type pop-up menu: Choose the crossfade type that best suits the group audio material. The Linear dB and Linear Gain options scale the amplitude for the group crossfade. Equal Power applies an exponential crossfade curve that causes a volume boost of 3 dB in the middle of the crossfade range. This fades out/fades in at an equal volume level.
XFade field: Set the crossfade range for zones grouped by the specified velocity range. Only zones within the specified velocity range are crossfaded.
Round Robin parameters: Control groups in a round robin cycle. Round robin cycles are used to switch between groups of samples assigned to a single key. See Make advanced group selections.
ON/OFF button: Turn on to use the group in a round robin cycle.
Cycle pop-up menu: Choose to add or remove groups from the round robin cycle, or move the selected group to the end of the cycle, or to a new cycle.
Enable by Articulation parameters: Use to define an Articulation ID for the group. This parameter is available as a modulation target, so you can switch between sample groups with a MIDI controller. For example, you could use your keyboard modulation wheel to switch between several hi-hat groups with different opening degrees. See Sampler articulation handling.
ON/OFF button: Turn on to use an Articulation ID for the group.
Value field: Set the Articulation ID number used by the group.
Enable by Bend parameters: Use to define a bend range for the group. Values outside the specified range do not affect the group. See Make advanced group selections for information on the use of all Enable by… options.
ON/OFF button: Turn on to use a defined bend range for the group.
Low field: Set the minimum bend range value.
High field: Set the maximum bend range value.
Enable by Channel parameters: Use to define a MIDI channel for the group. Only this MIDI channel affects the group.
ON/OFF button: Turn on to use a defined MIDI channel for the group.
Value field: Set the MIDI channel.
Enable by Control parameters: Use to define a MIDI controller and range for the group. If you set up controller 64 (Sustain), for example, the group will be held (sustained) when an incoming controller 64 message (within the defined range) is received. Controller values outside the specified range do not affect the group.
ON/OFF button: Turn on to use a controller for the group.
Value field: Set the MIDI controller number.
Low field: Set the minimum controller value.
High field: Set the maximum controller value.
Enable by Note parameters: Use to define a MIDI note number for the group. Only this MIDI note number affects the group.
ON/OFF button: Turn on to use a defined MIDI note number for the group.
Value field: Set the MIDI note value.
Enable by Tempo parameters: Use to define a tempo range for the group. Values outside the specified range do not affect the group.
ON/OFF button: Turn on to use a defined tempo range for the group.
Low field: Set the minimum tempo range value.
High field: Set the maximum tempo range value.
Release Trigger parameters: Use to determine if zones pointing to this group are triggered on key down or on key release. This is useful for emulating organ key clicks, for example, where you may want the organ note triggered on key down, but the organ click triggered on key release.
ON/OFF button: Turn on to turn on key release triggers. If turned off, zones in the group are triggered only on key down.
Decay button: Turn on to turn on the (Decay) Time field.
Time field: Use to set the time it takes for the level of a sample (triggered by key release) to decay.
Note: The Decay button and Time parameters function only when the Release Trigger parameter is turned on (set to key release).
Playback parameters: Use these parameters to determine playback behavior for the group.
Voices pop-up menu: Use to set the number of voices that the group can play.
Exclusive pop-up menu: Assign multiple groups to the same Exclusive Class. Groups in the same class can only be used independently. As soon as one group in the class is triggered, all other groups in that same class are disabled.
Tip: A practical use of the Playback parameters is to set up a classic hi-hat mode within a full drum kit that is mapped across the keyboard. For example, you could assign an open and closed hi-hat sample to an exclusive group and set the Voices parameter of the group to 1. The most recently triggered of the two hi-hat samples mutes the other because only one voice is allowed for the group. This mirrors the real-world behavior of hi-hats. The other sounds of the drum kit can still be played polyphonically, if samples in zones are assigned to another group.
Envelope 1 and 2 Offsets parameters: Independently offset the envelope parameter settings for each group. This is useful if you want Envelope 1, for example, to uniquely affect the zones in a specific group—after the initial impact of the envelope on other played groups. See Sampler envelopes for details on envelope parameters.
Filter Offsets parameters: Independently offset the Cutoff and Resonance settings for each group. This can be useful if you want the initial impact of a note to be unfiltered for one group but not other groups. See Sampler Synth pane for details on filter parameters.
Playback Details parameters: Use to define the sample select behavior for the group.
Sample Select Random Offset field: Set a randomization range offset value for Sample Select modulation, which you define with the Sample Select Random parameter in the Synth Details slide-out panel.