MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Make advanced group selections in Sampler in MainStage
You can define a specific event to use as a group selection switch. Whenever the defined selection event is triggered, zones in this group can be played, while other groups selected with a different event are not played. The defined event does not play or alter a sound; it acts only as a group selection switch.
Group view provides two options for group selection: Round Robin and Enable by…
Control-click the top of any column to open a shortcut menu where you can hide or show any of the group selection filters.
You can use multiple group selection filters to refine your group selections. For example, you could specify that only a particular range of specified controller message values switches between different articulations. This could be further refined with a second criterion, such as Enable by Channel specified as a group selection filter.
Define a base group and switch between groups with MIDI notes
In MainStage Sampler, if you want Sampler to automatically switch between two string sample groups, for example—one for staccato samples and one for legato samples—you could set the group selection filter to Enable by Note, and assign a different MIDI note number to enable each group. You can then use a note that is not assigned to a zone as a remote group switch.
The following method assumes that several groups exist. See Create Sampler groups.
Note: This method can be applied to any of the Enable by… group selection options. You are free to combine multiple Enable by… options.
In Group view, Control-click the top of any column to open a shortcut menu where you can hide or show any of the Enable by… filters and other group parameter settings.
Choose Show all columns in the shortcut menu.
Note: You can choose to hide or show individual group parameter settings, instead of Show all columns.
Click the OFF button in the Enable by Note On subcolumn.
This is the base, or first, group you want to switch.
Drag vertically in the Enable by Note Value field to change the note number of the base group.
This should be a note that has no assigned zone. When you play this note, this group is enabled—all other groups are disabled.
Click the OFF button in the Enable by Note On subcolumn for the second group you want to switch.
Drag vertically in the Enable by Note Value field to change the note number of the second group.
This should be a note that has no assigned zone. When you play this note, the second group is enabled—all other groups are disabled.
Set up a round robin in Sampler
The term round robin is used to describe sample switching when a single key is struck repeatedly. This feature can be particularly useful in live performance or for avoiding abrupt, machine-gun-like effects when switching between real instrument samples.
In MainStage Sampler, you can use a round robin to step through groups, one after the other. For example, you could layer several hi-hat zones on a single key, each in its own group. Group 1 could contain an open hi-hat, and Group 8 a closed hi-hat, with Groups 2 to 7 containing different partially closed hi-hat sounds. When you repeatedly strike the key, Group 1 is played, then Group 2, and so on, in sequence. A further key strike restarts the cycle from Group 1.
This example uses one method to quickly add multiple groups and zones. You are free to create these using any method. See Create groups and Create zones.
Tip: You can also use the Group menu Create Round Robin command to create round robins. To use this command, select multiple groups in the Mapping pane and choose the command. All selected groups are chained from top to bottom.
Insert Sampler on an instrument channel strip.
The Mapping and Zone panes are displayed.
Open the Loop Browser. Default key command: O
Select and drag several Apple Loop files to the Navigation bar. Drop them on the Optimized: Zone per Note dropzone.
Tip: Choose a number of distinctly different Apple Loops. Press and hold Command, then click to select each file.
Click the Group view button.
You can see multiple groups, named after the Apple Loops you just added.
Play any key on your keyboard to trigger, and select, all groups.
Control-click the top of any column header in Group view to open a shortcut menu, then choose Round Robin.
The Round Robin column and parameter subcolumns are displayed in Group view. If you don’t see them, scroll horizontally until they are visible.
Click the OFF button of any group in the On subcolumn.
You will see that the Cycle subcolumn is automatically populated with A.1 (Filename 1), A.2 (Filename 2), A.3 (Filename 3), and ensuing entries.
Now repeatedly strike a key on your keyboard.
You will hear, and see, each group being played sequentially.