MainStage User Guide
- Welcome
-
- Overview of Edit mode
-
- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
-
- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
-
- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
-
- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
-
- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
-
- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
-
- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
-
- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
-
- Layout mode overview
-
- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
-
- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
-
- Overview of keyboard shortcuts and command sets
-
- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
-
-
- Use MIDI plug-ins
-
- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
-
- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
-
-
- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
-
- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
-
- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
-
- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
-
- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
-
- Copyright
Use Vintage B3 preset keys in MainStage
The Hammond B3 is equipped with 12 buttons, located below the draw bars. These preset keys are laid out like a keyboard octave, but with black keys and white sharps. They are used to recall draw bar registrations (draw bar positions). Vintage B3 replicates these features.
Upper manual preset keys are to the left of the Upper Morph slider, and lower manual preset keys are to the right. Vertical lines on each key indicate draw bar positions. These miniature draw bar representations update in real time. You can edit the draw bars of recalled presets immediately, with changes to draw bar positions being automatically memorized as you make them. You can, however, use the Save To function to save a registration to a specific preset key. See Use Vintage B3 Morph controls.
Important: The presets relate only to the registration (draw bar) settings of a single manual. They do not store vibrato or other parameter settings. If you want to save and recall the overall instrument settings (including effects), use the Settings pop-up menu in the plug-in window header.
On keys C# to A#, the percussion works only if the Perc parameter is set to Always. See Vintage B3 Percussion effect.
The default range for preset (registration) keys spans MIDI note numbers 24 to 35 (C0 to B0). This means that the lowest playable MIDI note number is 36 (C1). You can transpose the keyboard range in MainStage or Vintage B3 itself. A 61-note keyboard—which spans notes C to C—can be played across the entire range when the Transpose values of your host application are set to 0. The preset (registration) keys are positioned one octave below this transposed or non-transposed range. See Use a single-channel controller with Vintage B3.
Choose a registration
In MainStage, click Main in the control bar, then click the Preset button at the lower right.
Click a preset key shown to the left (upper manual) or right (lower manual) of the Upper Morph slider.
Play one of the preset key MIDI notes (MIDI note numbers 24 to 35).
Initialize a registration
In MainStage, click Main in the control bar, then click the Preset button at the lower right.
Click the lowest preset key (shown as “C”) for the upper or lower manual. The other 11 keys, from C# to B, recall registrations for the upper or lower manuals.
Play MIDI note number 24.
Switch Vintage B3 registrations while playing (organ gate effect)
In MainStage, click Main in the control bar, then click the Preset button at the lower right.
Hold the Clear key (C) on your master keyboard with the small finger of your left hand, while sustaining a chord with your right hand.
Press the preset keys with the other fingers of your left hand.
The chord being played with your right hand is retriggered (with the new registration) each time you play one of the preset keys. This two-handed technique results in an organ-specific gate-type effect. Each time you switch to a new registration, the chord is retriggered.
Disable MIDI preset key switching
Disable preset switching with MIDI notes 24 to 35, thus eliminating problems that may arise from transpositions.
In MainStage, click Main in the control bar, then click the Preset button at the lower right.
Turn off Select via Keyboard.
Switch Vintage B3 registrations with a two-draw bar controller
When you use a two-draw bar hardware controller, there is an additional mode that allows Hammond-like switching between two registrations. By default, moving draw bars always changes the registration of the currently active preset registration key. This works differently in a real Hammond organ, where the draw bars affect only the A# (upper manual) and B (lower manual) preset registrations. Use the “draw bar affects” feature to prepare a new registration while playing, then switch to the new registration later.
In MainStage, open the Options window, then choose the Edit Preset Key A# and B only switch position.
The upper manual draw bars can now change the registration of the A# preset key, and the draw bars of the lower manual affect the B preset key.
Change the draw bars of the A# preset key. You can play the keyboard while doing so, without changing the currently chosen registration.
Switch to the prepared registration with the A# preset key.