MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Sampler LFO overview in MainStage
You can use any of the four identical LFOs (low frequency oscillators) shown in the Modulators pane to control and add animation to your instruments. All LFOs are available as sources and targets in the Mod Matrix pane. If you’re new to synthesizers and the concept behind LFOs, see Common modulation sources.
You can use all Sampler LFOs polyphonically or monophonically. When used polyphonically, this means that modulation of multiple voices is not phase-locked. The LFOs can also be key-synced—each time you play a key, LFO modulation of this voice is started from zero.
To understand the non-phase-locked characteristic more fully, imagine playing a chord on your keyboard. If an LFO is used to modulate pitch, for example, the pitch of one voice might rise, the pitch of another voice might fall, and the pitch of a third voice might reach its minimum value. As you can see, the modulation is independent for each voice, or note you play.
When you use LFOs monophonically, modulation is identical for all voices. For example, imagine a chord you are playing on the keyboard is using LFO 2 to modulate pitch, which you set up in the Mod Matrix. In this situation, the pitch of all voices in your played chord rise and fall synchronously.
The key-sync feature ensures that the LFO waveform cycle always starts from zero, which results in consistent modulation of each voice you play. If LFO waveform cycles are not synchronized in this way, individual note modulations are uneven.
You can set all LFOs to either oscillate freely or to be synchronized with the MainStage tempo, in values ranging between 32 bars and 1/128th triplets.
You can fade LFOs in or out automatically with the built-in ramp generator available in each LFO.
LFO parameters
Double-click a parameter value field to enter a new value. Press Return to complete the operation.
Minus button (—): Highlight the modulator you want to remove, then click the button to delete the modulator from the Modulators pane.
+ LFO button: Add an LFO to the Modulators pane. Up to four LFOs can be used.
Waveform pop-up menu: Choose the LFO waveform. For details about how to use them, see Sampler LFO waveforms.
Sync button: Turn on to synchronize the LFO with the project tempo. The note icon is illuminated when active.
Rate field: Use to set the frequency, or speed, of LFO modulation. The value is shown in note values when the Sync button is active. See Set the Sampler LFO rate.
Fade field: Use to set the time it takes for LFO modulation to fade in or fade out, depending on which Fade button is active. See Use the Sampler LFO ramp generator.
Fade In or Fade Out button: Click to set an LFO fade-in or fade-out. Use the Fade field to set the fade duration.
Waveform display: Shows the current LFO waveform. Drag horizontally to set the frequency, or speed, of LFO modulation.
Phase field: Drag vertically to offset the waveform start point.
Mono or Poly button: Set the LFO to run monophonically or polyphonically. Mono results in identical modulation of all voices. Poly provides independent modulation of each voice.
Unipolar or Bipolar button: Run the LFO waveform in one pole (positive) or two pole (positive and negative) mode.
Key Trigger button: Turn on key sync for the LFO. Each time you play a key, the LFO waveform is restarted from the start point.