MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use the Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer MIDI plug-in controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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Studio Strings overview in MainStage
Studio Strings provides a collection of highly expressive single and section stringed instruments. It has a simple, clean interface, with all main controls at hand. Additional controls enable you to customize Studio Strings to match your preferences and to work best with your controllers. See Studio Strings extended parameters.
Studio Strings instruments feature a large collection of samples that cover different playing styles, such as sustain, staccato, or falls. These playing styles, called articulations, are chosen in the plug-in header. You can also switch articulations remotely with keyswitches.
Default section and single instrument keyswitches are covered in Studio Strings keyswitch mapping.
If you're new to using plug-ins in MainStage, see Add and remove plug-ins in MainStage.
Studio Strings parameters
Preset pop-up menu: Choose a solo or section instrument.
You can use MIDI channel events to control section instruments. If you want to play specific instruments in a section, you can send MIDI messages on their respective channels, then add a list of channel assignments. See Studio instruments section MIDI channels.
Monophonic button: Turn on monophonic mode for solo instruments.
Auto Voice Split button: When on, chords played on the keyboard are automatically assigned to different instruments or instrument groups, or “voices” in the section.
Depending on the size and type of section, a voice can consist of one or multiple instruments. This mimics the distribution of notes (voicings) among players, based on what instrument group is best suited to a particular note range, for example. See Studio Strings extended parameters for details about additional Auto Voice Split functions.
Note: When Auto Voice Split is off, String sections are split by key ranges, with each string instrument within the section spanning a specific key range, and no layered instruments.
Dynamics via CC button: Turn on to enable control of an instrument’s dynamics (soft-loud) and timbre in real time. Additional dynamic control and mapping functions are available in the extended parameters.
Last Played Articulation field: Displays the most recently used articulation. This may be different to the articulation shown in the plug-in header.
Cutoff knob: Set the cutoff frequency of the sound.
Resonance knob: Set the amount of cut or boost of the frequency range surrounding the defined cutoff frequency.
Volume knob: Set the output level of the instrument.
Attack knob: Set the amount of time it takes for the instrument to fade in, following a MIDI note on message.
Release knob: Set the amount of time it takes for the instrument to fade out, following a MIDI note off message.
Choose a section or single instrument
In MainStage, click the Preset pop-up menu to open a window that shows available presets, then click or double-click a section or a single instrument icon to load the sound.
Click outside the window to close it.
Use advanced articulation features
Studio Strings provides several articulations for falls. These can be played on your keyboard like any other articulation. String players often attach a fall directly to a note end, so the fall happens with no gap after the previous note. Studio Strings features a special mode which allows you to smoothly connect a fall articulation to the previous note at any position “on-the-fly”, as a real musician would play it.
In MainStage, to create a smooth fall, add a second (Fall articulation) note of the same pitch directly following any note. There should be no, or a minimal, gap from the previous note.
Note: Velocity of the Fall note can be different to the previous note. You can also vary the length of the Fall note. This allows you to create very subtle falls at the end of any note.
To perform falls live on a keyboard, you can use the predefined keyswitches for Falls. These operate in Trigger mode, which automatically creates the Fall event and places it immediately after the previous note. Try this by holding a note with a Sustain articulation. While the note is playing, press the keyswitch for the Fall Long articulation. The sustained note is then stopped with a long fall.
Download the guides:
MainStage User Guide: Apple Books | PDF
MainStage Instruments: Apple Books | PDF
MainStage Effects: Apple Books | PDF