MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Quick Sampler LFO controls in MainStage
Quick Sampler features two identical LFO units. Click the tab at the top of the modulation pane to choose LFO 1 or LFO 2.
You can use the LFO units to modulate, or control, other parameters. Parameters that are modulation targets are indicated by a white dot when a note is played. The modulation range is shown as an orange ring around target parameters.
If you’re new to synthesizers and the concepts behind modulation generators, such as LFOs and envelopes, see Synthesizer basics overview.
Quick Sampler LFO parameters
On/Off button: Turn the LFO on or off.
LFO Rate knob and field: Set the LFO modulation speed. Values are in hertz, or cycles per second. When the Sync button is enabled, bar or beat values—synchronized with the project tempo—are shown.
Sync button: Enable or disable synchronization of the LFO with the project tempo. The Sync button note icon is highlighted when active.
Fade Mode button: Choose either Fade In or Fade Out. You set the fade in or out time with the Fade Time knob.
Fade Time knob and field: Set the time it takes for the LFO modulation to fade in or fade out.
Phase knob and field: Set the LFO waveform start point when a new key is struck. Set Trigger Mode to Poly to make effective use of this parameter.
Waveform pop-up menu: Set the waveform type used by the LFO.
Polarity button: Enable bipolar or unipolar LFO waveform cycles.
Mode button: Choose a mode to define the LFO trigger behavior.
Poly: The LFO modulates each voice independently.
Mono: The LFO modulates all voices in the same way. You must release all notes before the LFO can be retriggered. If you play legato, or any key is held, the LFO does not restart from the beginning of the waveform cycle.
Key Trigger button: Turn on to reset the LFO cycle to its start point, which you set with the Phase parameter, when a key is played.
Amount slider: Set the amount of LFO modulation. When via is used, you can set the minimum and maximum modulation amount with two Amount slider handles. You can choose a second modulation source from the Via pop-up menu, which is used to control the modulation amount of the LFO.
Via pop-up menu: Choose a modulation source to control the amount of LFO modulation.
When a via source is active, two handles are shown for the Amount slider.
Use the left Amount slider handle to set the minimum LFO amount.
Use the right Amount slider handle to set the maximum LFO amount, controlled by the via source.
You can drag either Amount slider handle to change values and to increase the modulation range between the slider handles. You can also directly drag the modulation range area to move both Amount sliders.
Target pop-up menu: Choose a modulation target for the LFO.
Set up an LFO modulation routing
The LFOs each feature an independent modulation routing of any target, with further control available through use of a via modulation source. You can use the LFOs as modulation sources for other target parameters in the Mod Matrix pane.
In either LFO pane:
Choose a modulation target for the LFO from the Target pop-up menu.
Set the amount of LFO modulation with the Amount slider.
You can also choose a second modulation source from the via pop-up menu, which is used to control the modulation amount, or range, of the LFO.
Choose a modulation source from the via pop-up menu.
When a via source is active, two handles are shown for the Amount slider.
Use the left Amount slider handle to set the minimum LFO amount.
Use the right Amount slider handle to set the maximum LFO amount, controlled by the via source.
You can drag either Amount slider handle to change values and to increase the modulation range between the slider handles. You can also directly drag the modulation range area to move both Amount sliders.