MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Crossfade sample groups in Sampler in MainStage
You can use the crossfade (Xfade) parameters to crossfade between layered groups—by velocity or by key range.
Crossfade between groups by velocity
When you assign a zone to a group, you can set the lowest and highest MIDI note velocity that triggers the group—and consequently all zones within that group. You can layer grouped zones on the same keyboard note and trigger them individually by playing at different velocities. When you have distinctly different audio samples in adjacent groups, crossfading is very helpful in creating realistic-sounding sampler instruments.
For example in the image above, see the two layered samples, zone 121 and zone 122, on MIDI notes C1 to E1:
In the Sustain pedal #1 group:
Zone 121 is a piano sample with minimal sustain pedal noise, set to a MIDI note velocity range of 0 to 51.
Zone 122 is a piano sample with stronger sustain pedal noise, set to a MIDI note velocity range of 52 to 80.
The crossfade value for these two zones is set to zero. There is no crossfade.
In this example, the maximum velocity range value of zone 121 and the minimum velocity range value of zone 122 are adjacent. If you play note D1 at velocities above or below a value of 51, you can clearly hear each sample being triggered.
To make this transition less abrupt, you can expand the velocity range of these zones by applying a crossfade value to the Sustain pedal #1 group. Each layered zone within this group will be crossfaded by the Xfade amount you set. The crossfade takes place in the extended velocity range area.
In Group view, do the following for the Sustain pedal #1 group:
Click the Mapping button in the Navigation bar, then click the Group view button.
Click the Sustain pedal #1 group in the Name column.
Scroll to the Velocity Range column, and set values for these parameter subcolumns.
Low field: Set the lowest velocity that triggers the group. For zone 121 this would be a value of zero.
High field: Set the highest velocity that triggers the group. For zone 122 this would be a value of 80.
XFade field: Set the crossfade range for zones grouped by the specified velocity range. Only zones within the specified velocity range are crossfaded.
XFade Type pop-up menu: Choose the crossfade type that best suits the group audio material. The Linear dB and Linear Gain options scale the amplitude for the group crossfade. Equal Power applies an exponential crossfade curve that causes a volume boost of 3 dB in the middle of the crossfade range. This fades out/fades in at an equal volume level.
Note: The settings made here override zone settings. When a zone velocity range is larger than the group setting, the zone velocity range is limited by the group velocity range setting.
Smoothly crossfade between groups in real time with a modulator
In MainStage Sampler, you can use a continuous modulation source, such as the modulation wheel, assigned to the Sample Select target to switch between layered samples—in groups with different velocity or key ranges. Adjust the crossfade amount to achieve smooth transitions between groups.
In an instrument that contains different samples mapped to several groups with different velocity (or key range) layers:
In the Mod Matrix pane, choose Sample Select from the Target pop-up menu in a modulation routing.
In the Mod Matrix pane, choose a modulation source from the Source pop-up menu, such as MIDI controller 1, the modulation wheel.
In the Mapping pane, click the Group view button at the top right, then set the Key Range or Velocity Range crossfade (Xfade) parameter to a value that provides the smoothest transitions between layers. Alternatively, you can choose a value that abruptly switches between sample layers.
If the Xfade parameters are not shown, Control-click the column header to open a shortcut menu, where you can choose to view the Key Range and Velocity Range parameters. If you don’t see the Xfade parameters, scroll horizontally until they are visible.
Adjust the crossfade (Xfade) parameter in multiple groups, as you wish.
Play your keyboard and adjust the modulation wheel to crossfade between groups containing your layered zones.