MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Alchemy filter effects in MainStage
Effect modules are shown only in browse or advanced view. Click the Browse or Advanced button to switch to either view, then click the Effect button in the Perform/Arp/Effects section.
Effects in this group change the frequency content of the signal.
Alchemy Bandpass Filter effect parameters
An adjustable width bandpass filter. The rejected portion of the signal can be recovered at a later point in the signal path by using the Band Reject effect.
Low Cut/High Cut knobs: Set the lower and upper boundaries of the passband.
Low Res/High Res knobs: Add resonant emphasis to the passband boundaries.
Alchemy Band Reject Filter effect parameters
Available only when the Bandpass Filter1/2 is inserted earlier in the signal path. Lets you mix in the portion of the signal that was rejected by the bandpass filter. A classic application of this feature is for multi-band distortion.
Mix knob: Set the amount of band-rejected signal mixed back into the signal path, bypassing effects between the BP Filter and the Band Reject mix point.
Alchemy Bass Enhancer effect parameters
Bass-boosting EQ, recommended for use with bass and low frequency percussion sounds.
Amount knob: Set the intensity of the bass enhancement.
Tune knob: Determine the frequency band to which the boost is applied.
Phat button: Add a saturation effect, for a different color to the bass enhancement. For more neutral/transparent results, leave phat mode off.
Alchemy Distortion effect parameters
Distortion effect with multiple algorithms that can be used simultaneously.
Bitcrush knob: Use for a lo-fi digital distortion.
Mech knob: Use to produce a nastier, more intense distortion.
Tube knob: Use to simulate the warm distortion effect of an overdriven tube amp.
XCite knob: Use to create distortions with an enhanced high-frequency range.
Pre Gain knob: Set the amount of input gain applied before the distortion effect. This enables you to produce heavily saturated distortions with some distortion types, especially Tube.
Post Gain knob: Set the output level to compensate for significant signal boosts caused by distortions such as Tube and Mech.
Alchemy MultiMode Filter effect parameters
Provides multiple filter types that process all voices routed through the Effects section.
Type pop-up menu: Choose from dozens of different filter types. Each has a unique characteristic. See Alchemy filter types in MainStage.
Note: The knobs described are common to most filter types but not all.
Cutoff knob: Set the filter cutoff frequency.
Resonance knob: Set the filter resonance or emphasis. Higher settings boost frequencies in the immediate vicinity of the cutoff frequency.
Drive knob: Overdrive the filter. The precise effect varies with each filter design.
Mix knob: Determine the wet/dry balance (0% = dry only; 50% = equal mix; 100% = wet only). Typically this is left at 100%.
Alchemy Three Band EQ parameters
Offers three bands of parametric EQ. Each band, shown as F1/F2/F3 (where F denotes frequency), has identical controls.
Gain knobs: Set the amount of boost or cut to the three frequency bands.
Freq knobs: Set the center frequency for the three frequency bands.
Note: The three frequency bands can each be set to values from 16 Hz through to 20 kHz, so it isn’t necessary (although it may be useful) to tune F2 above F1, or F3 above F2.
Q knobs: Set the bandwidth of the three frequency bands.
Alchemy Waveshaper parameters
An EQ unit that applies a predefined filter shape. Two sets of identical controls can be used to modify the pre-shaped and post-shaped signal.
Mix knob: Set the balance between the dry input signal and the wet effect signal.
Gain knobs: Set the amount of boost or cut to the pre- or post-filtered signal.
Shape knobs: Set the pre- or post-filter shape toward a lowpass or highpass type. The center position has a balance of low and high filtering.
Freq knobs: Set the center frequency for the pre- or post-filtered bands.
Display: View and edit the predefined filter curve. Drag the white handles to set the shape start, mid, and end points. Drag the line between points to create convex or concave curves. Option-click the line to reset it to a linear shape.
Bipolar button: Turn on to use a bipolar filter curve. Turn off to use a unipolar filter curve.
File button: Open a pop-up menu with several useful commands.
Presets: Choose a preset from the submenu.
Save: Open a dialog where you can name and save the current settings to a new preset. The saved preset name is shown at the bottom of the Presets submenu list.
Copy/Paste: Copy the current settings to the Clipboard and paste the Clipboard contents.
Clear: Reset all parameter settings to default values.