Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Drummer region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
- Create fades on audio regions
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope release phase behavior
- Vector Envelope point transition shapes
- Use Vector Envelope time scaling
- Use the Mod Pad
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and Highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Copyright
Vintage Mellotron in Logic Pro for iPad
Vintage Mellotron recreates the features and a number of sounds from this famous keyboard instrument that has featured on dozens of classic rock and pop songs from the 1960s, ‘70s, and beyond.
The Mellotron is considered a precursor to modern sample-playback instruments. It uses a number of magnetic tapes that are drawn across a tape head when a key is pressed. Each key has an individual tape playhead and pressure pads on a spring-loaded mechanism. Rollers for each key are driven by a constantly turning capstan that spans the keyboard range.
Each key has a tape strip with up to three different sounds running in parallel. Sound length is limited to eight seconds, at which point the sound abruptly stops. Tapes return to their start position when the corresponding key is released. By offsetting the playheads with the racks that hold the tapes, a musician can switch the entire keyboard between a string and choir sound, for example. Partial offsets of the tape heads result in a layered blend of two adjacent sounds on each tape strip.
More advanced Mellotron models can use longer tapes, with different sounds allocated at precise positions along their length. This is similar to switching between banks of presets on a modern synth. Even then, a maximum of around 24 sounds is possible. If you require different sounds, the machine needs to be dismantled, and a new tape rack is used to replace one already in place. Not ideal, and certainly tough to accomplish during a live performance.
The original library sounds were recorded note by note, with varied performances and pitch fluctuations. This makes Mellotron instrument mapping somewhat inconsistent across the keyboard range, which is an essential part of its sonic character and charm.
The mechanical complexity of early Mellotrons—tape stretching, head alignment problems, and environmental factors, such as temperature and humidity fluctuations, smoke, dust, and magnetic fields—made them difficult to maintain. Even when new, no two Mellotrons sounded exactly the same because of these variables.
Vintage Mellotron features painstakingly sampled versions of each note from the original Mellotron sound library tapes, capturing the full sound length and performance quirks. Unlike the originals, Vintage Mellotron sounds are looped, enabling you to indefinitely sustain notes. Looping isn’t static, so sounds retain their “organic” flavor and mirror the continuous sonic movement of the original instruments.
Vintage Mellotron also allows you to blend any two sounds together, including combinations that weren’t available in the original tape library. A further bonus is control of the balance between sounds, a feature not found on the original machines.
A tape speed control mimics the tonal fluctuations caused by this feature on the original instruments. Also included are octave transposition and tone controls. See Vintage Mellotron controls.
As with other instrument plug-ins, you can fully automate Vintage Mellotron parameters.
If you’re new to synthesizers, see Intro to synthesizers, which will introduce you to the terminology and give you an overview of different synthesis methods and how they work.
To add Vintage Mellotron to your project, choose it from the Instrument > Vintage Keys submenu in an Instrument channel strip or the Plug-ins area. See Intro to plug-ins.
User Guide conventions
Logic Pro for iPad plug-ins have two primary views:
Tile view, which shows a few key parameters in the Plug-ins area
Details view, where you can access all plug-in parameters
Throughout the guide, parameters available in Tile view are indicated by .
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