Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Studio Bass string and position MIDI channels in Logic Pro for iPad
Just like with a real bass instrument, notes you play with Studio Bass have different tonal qualities when played on different strings and at different positions on the neck. When playing the Studio Bass in Logic Pro for iPad, you can use different MIDI input channels to influence the preferred string and neck position of the notes you play. You can set the MIDI input channel in the Track inspector for the track where Studio Bass is loaded.
MIDI Channel | Function | Description |
|---|---|---|
1 | Auto | This chooses the most natural sounding neck position for the played note. |
2 | Prefer the E string. | Notes are played on E-string if available. If a note is not playable on the preferred string, it is played on another one based on the current position. |
3 | Prefer the A string. | Notes are played on A-string if available. If a note is not playable on the preferred string, it is played on another one based on the current position. |
4 | Prefer the D string. | Notes are played on D-string if available. If a note is not playable on the preferred string, it is played on another one based on the current position. |
5 | Prefer the G string. | Notes are played on G-string if available. If a note is not playable on the preferred string, it is played on another one based on the current position. |
7 | Move the hand position to the bottom of the neck. | If a note is not playable in this position on any string, the position is moved to the closest alternative. |
8 | Move the hand position to the 3rd fret. | If a note is not playable in this position on any string, the position is moved to the closest alternative. |
9 | Move the hand position to the 5th fret. | If a note is not playable in this position on any string, the position is moved to the closest alternative. |
10 | Move the hand position to the 7th fret. | If a note is not playable in this position on any string, the position is moved to the closest alternative. |
11 | Move the hand position to the 9th fret. | If a note is not playable in this position on any string, the position is moved to the closest alternative. |
12 | Move the hand position to the 12th fret. | If a note is not playable in this position on any string, the position is moved to the closest alternative. |
13 | Prefer notes played on the E and A strings. | If a note is not playable on either of the preferred strings, the position is moved to the closest alternative. |
14 | Prefer notes played on the D and G strings. | If a note is not playable on either of the preferred strings, the position is moved to the closest alternative. |
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