Logic Pro User Guide
- Welcome
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- What is Logic Pro?
- Logic Pro project basics
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
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- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
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- Play a project
- Set the playhead position
- Control playback with the transport buttons
- Use transport shortcut menus
- Use transport key commands
- Customize the control bar
- Change the LCD display mode in Logic Pro
- Monitor and reset MIDI events
- Use the cycle area
- Use the Chase Events function
- Use Apple Remote to control Logic Pro
- Use Logic Remote to control Logic Pro projects
- Preview projects in the Finder
- Close projects
- View project information
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- Overview
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- Before recording software instruments
- Play software instruments
- Record software instruments
- Record additional software instrument takes
- Overdub software instrument recordings
- Spot erase software instrument recordings
- Use Note Repeat
- Record to multiple software instrument tracks
- Replace software instrument recordings
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Use step input recording techniques
- Use the metronome
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- Arranging overview
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- Regions overview
- Select regions
- Select parts of regions
- Cut, copy, and paste regions
- Move regions
- Add or remove gaps
- Delay region playback
- Loop regions
- Repeat regions
- Resize regions
- Mute and solo regions
- Time stretch regions
- Reverse audio regions
- Split regions
- Demix MIDI regions
- Join regions
- Create regions in the Tracks area
- Normalize audio regions in the Tracks area
- Create aliases of MIDI regions
- Convert repeated MIDI regions to loops
- Change the color of regions
- Convert audio regions to samples for a sampler instrument
- Rename regions
- Delete regions
- Create groove templates
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- Overview
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- Add notes
- Select notes
- Snap items to the grid
- Move notes
- Copy notes
- Change the pitch of notes
- Resize notes
- Edit note velocity
- Quantize the timing of notes
- Quantize the pitch of notes
- Change note articulations
- Lock the position of events
- Mute notes
- Change note color
- View note labels
- Delete notes
- Time stretch notes
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
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- Logic Pro advanced editors overview
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- Audio File Editor overview
- Play audio files in the Audio File Editor
- Navigate audio files in the Audio File Editor
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- Audio File Editor edit commands
- Edit audio files with transient markers
- Use the Audio File Editor Pencil tool
- Trim or silence audio files
- Remove DC offset
- Set audio file levels
- Normalize audio files
- Fade audio files
- Reverse audio and invert phase
- Audio File Editor Loop commands
- Undo Audio File Editor edits
- Backup audio files
- Use an external sample editor
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- Mixing overview
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
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- Plug-ins overview
- Add, remove, move, and copy plug-ins
- Insert a plug-in on a track using drag and drop
- Activate plug-ins on inactive channels
- Use the Channel EQ
- Work in the plug-in window
- Work with plug-in settings
- Work with plug-in latencies
- Work with Audio Units plug-ins in Logic Pro
- Support for ARA 2 compatible plug-ins
- Use MPE with software instruments
- Use the Plug-in Manager
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
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- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops with other devices
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- Overview
- Add notes
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- Part box overview
- View score symbols
- Select score symbols
- Add notes and rests
- Add notes and symbols to multiple regions
- Add key and time signature changes
- Change the clef sign
- Add dynamic marks, slurs, and crescendi
- Change note heads
- Add symbols to notes
- Add trills, ornaments, and tremolo symbols
- Add sustain pedal markings
- Add chord symbols
- Add chord grids and tablature symbols
- Add bar lines, repeats, and coda signs
- Add page and line break symbols
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- Select notes
- Move and copy notes
- Change note pitch, duration, and velocity
- Change note articulations
- Quantize the timing of notes
- Restrict note input to the current key
- Control how ties are displayed
- Add and edit tuplets
- Override display quantization using tuplets
- Add grace notes and independent notes
- Delete notes
- Use automation in the Score Editor
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- Staff styles overview
- Assign staff styles to tracks
- Staff Style window
- Create and duplicate staff styles
- Edit staff styles
- Edit staff, voice, and assign parameters
- Add and delete staffs or voices in the Staff Style window in Logic Pro
- Copy staffs or voices in the Staff Style window in Logic Pro
- Copy staff styles between projects
- Delete staff styles
- Assign notes to voices and staffs
- Display polyphonic parts on separate staffs
- Change the staff assignment of score symbols
- Beam notes across staffs
- Use mapped staff styles for drum notation
- Predefined staff styles
- Share a score
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- Key commands overview
- Browse, import, and save key commands
- Assign key commands
- Copy and print key commands
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- Global Commands key commands
- Global Control Surfaces Commands
- Various windows
- Windows Showing Audio files
- Main Window Tracks and Various Editors
- Live Loops Grid key commands
- Various Editors
- Views showing Time Ruler
- Main Window Tracks
- Mixer
- MIDI Environment
- Piano Roll
- Score Editor
- Event Editor
- Step Editor
- Step Sequencer key commands
- Project Audio
- Audio File Editor
- Smart Tempo Editor
- Sampler
- Step Input Keyboard
- Tools
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- Various windows modifier keys and actions
- Controller Assignments window modifier keys and actions
- Tracks area modifiers and actions
- Global tracks modifier keys and actions
- Automation modifier keys and actions
- Live Loops Grid modifier keys and actions
- Mixer modifier keys and actions
- MIDI Environment window modifier keys and actions
- Piano Roll Editor modifier keys and actions
- Score Editor modifier keys and actions
- Event List modifier keys and actions
- Step Editor modifier keys and actions
- Step Sequencer modifier keys and actions
- Flex Time modifier keys and actions
- Touch Bar shortcuts
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- Working with your control surface
- Connect control surfaces
- Add a control surface to Logic Pro
- Automatic assignment for USB MIDI controllers
- Grouping control surfaces
- Control Surfaces preferences overview
- Modal dialog display
- Tips for using your control surface
- Supported control surfaces
- Software and firmware for Logic Pro
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- Environment overview
- Common object parameters
- Customize the Environment
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- Fader objects overview
- Use fader objects
- Play back fader movements
- Work with object groups
- Fader styles
- Fader functions: MIDI events
- Fader functions: range, value as
- Fader functions: filter
- Vector fader
- Special faders overview
- Cable switchers
- Meta event faders
- SysEx faders
- Work with SysEx messages
- Special functions
- Ornament objects
- MMC record buttons
- Keyboard objects
- Monitor objects
- Channel splitter object
- Physical input objects
- Physical input objects
- MIDI click objects
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- Effects overview
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use the Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer MIDI plug-in controls
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- Instruments introduction
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Use surround range and diversity
- Define MIDI controllers
- Extended parameters
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- Ultrabeat overview
- Ultrabeat interface
- Synthesizer section overview
- Filter section controls
- Distortion circuit controls
- Glossary
- Copyright
Edit staff style parameters in the Staff Style window in Logic Pro
After you set the number of voices and staffs in a staff style, you can edit the Staff and Voice parameters for the selected staff style in the lower part of the Staff Style window, and edit Assign parameters for each voice in a staff style. When you change a staff style, all tracks using that staff style are affected.
You can edit the following Staff, Voice, and Assign parameters in the Staff Style window:
For all staffs: Choose the clef, show or hide the key signature, set the distance to the next (higher and lower) staffs, set the staff size, set the number of voices in the staff, and set the display transposition.
For polyphonic, multiple staff styles: Edit the configuration of brackets and bar lines that connect the staffs.
For each voice: Control the display of rests, stem direction, tie direction, direction of N-tuplet brackets and numbers, beaming, note color, and note head type.
Assign parameters for each voice: Set the MIDI channel assignment and definition of a split point pitch, for separation of the different voices.
Edit Staff parameters for the selected staff style
In the Staff section of the Staff Style window, do any of the following:
Change the clef: Choose a clef from the Clef pop-up menu. In addition to the standard clefs, there are some additional options:
Drum.0 to Drum.8: Staffs with 0 to 8 lines and a neutral percussion clef. The relationship of MIDI note pitches to the top line of all staffs corresponds to the top line in a regular bass clef (A2). No accidentals are displayed in these drum staffs. Drum.0 also omits any ledger lines. These clefs are often used in mapped drum styles, where the vertical position of a note on the staff doesn’t correspond to pitch, but is determined by different drum map parameters. See Use mapped staff styles for drum notation in Logic Pro for more information on mapped drum styles.
no clef.0 to no clef.8: Like the Drum.0 to Drum.8 staffs, but without a clef.
TAB Guitar and TAB Bass: Twelve different options for displaying notes as guitar or bass tablature. Tablature tuning sets are defined and edited in the Tablature window (Layout > Guitar Tablature).
Show or hide the key signature: Select the Key checkbox for the staff.
When the Key checkbox is unselected, the staff is displayed without a key signature. Accidentals are placed directly beside all affected notes. This can be used, for example, for transposed French horn parts, which are sometimes written without a key signature.
Change the distance to adjacent staffs: Drag the upper and lower space values up or down. The upper value controls the space above staffs, and the lower value controls the space below staffs. For the top and bottom staffs in a full score, this controls the page margins.
Tip: You can also change the vertical distance above the staff directly in the score, by dragging the staff up or down (at the clef). The distance below the staff can also be edited in the score, but only for the bottom staff in the score display (or for a single staff). You drag the bottom line of the score display with the pointer.
Change the staff size: Drag the size value up or down, or double-click and edit the value.
The Size parameter sets the size of the staff, and the notes and symbols (including slurs and ties) displayed on the staff. There are 16 sizes available (0–15). Here are some size recommendations:
For regular instrument parts and lead sheets, use size 7 or 8.
The staff size you should use in full scores depends on the number of staffs in the score, and the size and format of the paper being used. When using A4 or US letter paper: full orchestra: 2, big band: 3, wind quintet: 4.
Note: The size of all staffs in a score set can also be affected by the Scale parameter in the Score Sets window. (See Overview of score sets in Logic Pro.) This makes it possible to use the same sizes for both the whole score, and parts of a piece.
Change the display transposition: Drag the transpose value up or down in semitones, or double-click and edit the value.
Display transposition does not affect playback of notes, but only how they appear in the score. If a staff contains chord symbols, these are also transposed accordingly. If the Automatic Key Transposition project setting, in the Clefs & Signatures pane, is turned on (which is the default), key signatures are also transposed.
Edit voice parameters for the selected staff style
In the Voice section of the Staff Style window, do any of the following:
Change how rests are displayed: Choose a value from the Rest pop-up menu. Automatic display of rests can be turned off (by choosing Hide), or set to display beat slashes instead of rests (by choosing Slash). This is useful for rhythm section parts, and improvised solos. In this situation, the number of slashes per bar is determined by the nominator in the time signature (4 slashes in 4/4-time, 6 slashes in 6/8-time, and so on). Inserted notes and symbols are still displayed, but automatic rests are shown only if shorter than one beat. You can insert user rests manually, to replace individual beat slashes, if needed.
Set the stem direction: Choose a value from the Stem pop-up menu. The default setting is Auto. Up or Down forces all stems, regardless of pitch, in the corresponding direction. Hide makes all stems (and beams and flags) invisible.
Set the stem position: Choose a value from the Stem Pos. pop-up menu.
Set the vertical direction for ties: Choose a value from the Tie pop-up menu. The default setting is Auto. Up or Down forces all ties in the corresponding direction.
Set the direction for tuplet brackets and numbers: Choose a value from the Tuplet pop-up menu. The default setting is Auto. Up or Down forces all N-tuplet brackets and numbers in the corresponding direction. Hide prevents the automatic display of triplet brackets and numbers. In this situation, the numbers are still displayed in brackets on the screen, to allow edits to these triplets. These bracketed numbers do not appear, however, on the printout.
If you set this parameter to Hide, you can still make particular triplets visible: double-click the bracketed number (3) to open a tuplet dialog. If you close this dialog by clicking OK, you convert the automatically displayed triplet to a forced triplet, which is displayed in accordance with the parameters set in the dialog.
Set the appearance of beams: Choose a value from the Beam pop-up menu. The default Slant setting allows slanted beams. Horiz. only allows horizontal beams. Vocal prevents the display of beams, as is typical in classical vocal parts, where notes are only displayed with flags.
Set the color for notes: Choose a value from the Color pop-up palette. The color options are Black (“---”), Pitch, Velocity, and the 16 colors of the Color palette. (See Colors settings in Logic Pro.)
These settings only affect regions if the View > Colors > Normal item is chosen in the Score Editor (the default setting).
Set the appearance of note heads: Choose a value from the Head pop-up menu. You can display note heads as normal, show note names or finger names, or hide the note heads completely.
The Stem Pos. and Color parameters are available when Enable Complete Features is selected in Logic Pro > Preferences > Advanced.
Edit assign parameters for the selected staff style
In the Assign section of the Staff Style window, do any of the following:
Set the MIDI channel assignment for a voice: Drag the channel value up or down.
Set the split point between voices: Drag the split value up or down.
For complete information about the Chan and Split parameters of the Staff Style window, see Assign notes to voices and staffs in Logic Pro
Download the guides:
Logic Pro User Guide: Apple Books | PDF
Logic Pro Instruments: Apple Books | PDF
Logic Pro Effects: Apple Books | PDF