Logic Pro User Guide
- Welcome
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- What is Logic Pro?
- Workflow overview
- Logic Pro project basics
- Advanced tools and additional options
- Undo and redo edits
- Manage Logic Pro content
- How to get help
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- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
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- Play a project
- Set the playhead position
- Control playback with the transport buttons
- Use transport shortcut menus
- Use transport keyboard shortcuts
- Customize the control bar
- Change the LCD display mode
- Monitor and reset MIDI events
- Use the cycle area
- Use the Chase Events function
- Control Logic Pro using Apple Remote
- Control Logic Pro projects using Logic Remote
- Preview projects in the Finder
- Close projects
- View project information
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- Overview
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- Before recording software instruments
- Play software instruments
- Record software instruments
- Record additional software instrument takes
- Overdub software instrument recordings
- Spot erase software instrument recordings
- Use Note Repeat
- Record to multiple software instrument tracks
- Replace software instrument recordings
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Use step input recording techniques
- Use the metronome
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- Overview
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- Regions overview
- Select regions
- Select parts of regions
- Cut, copy, and paste regions
- Move regions
- Add or remove gaps
- Delay region playback
- Loop regions
- Repeat regions
- Resize regions
- Mute and solo regions
- Time stretch regions
- Split regions
- Demix MIDI regions
- Join regions
- Create regions in the Tracks area
- Normalize audio regions in the Tracks area
- Create aliases of MIDI regions
- Clone audio regions
- Convert repeated MIDI regions to loops
- Change the color of regions
- Convert audio regions to Sampler zones
- Rename regions
- Delete regions
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- Overview
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- Add notes
- Select notes
- Snap items to the grid
- Move notes
- Copy notes
- Change the pitch of notes
- Resize notes
- Edit note velocity
- Quantize the timing of notes
- Quantize the pitch of notes
- Change note articulations
- Lock the position of events
- Mute notes
- Change note color
- View note labels
- Delete notes
- Time stretch notes
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
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- Flex Time and Pitch overview
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- Flex Pitch algorithm and parameters
- Edit the pitch of audio in the Audio Track Editor or a zoomed in track
- Edit the pitch of audio in the Tracks area when the track is not zoomed in
- Correct the timing of audio regions with Flex Pitch
- Quantize the pitch of audio regions
- Create MIDI from audio recordings
- Change the gain of audio regions
- Use Varispeed to alter the speed and pitch of audio
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- Mixing overview
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
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- Plug-ins overview
- Add, remove, move, and copy plug-ins
- Insert a plug-in on a track using drag and drop
- Activate plug-ins on inactive channels
- Use the Channel EQ
- Work in the plug-in window
- Work with plug-in settings
- Work with plug-in latencies
- Work with Audio Units plug-ins
- Support for ARA 2 compatible plug-ins
- Use the Plug-in Manager
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings in Logic Pro
- Use the Arpeggiator
- Automate screen control movements
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- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops in Logic Pro with other devices
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- Overview
- Add notes
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- Part box overview
- View score symbols
- Select score symbols
- Add notes and rests
- Add notes and symbols to multiple regions
- Add key and time signature changes
- Change the clef sign
- Add dynamic marks, slurs, and crescendi
- Change note heads
- Add symbols to notes
- Add trills, ornaments, and tremolo symbols
- Add sustain pedal markings
- Add chord symbols
- Add chord grids and tablature symbols
- Add bar lines, repeats, and coda signs
- Add page and line break symbols
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- Select notes
- Move and copy notes
- Change note pitch, duration, and velocity
- Change note articulations
- Quantize the timing of notes
- Restrict note input to the current key
- Control how ties are displayed
- Add and edit tuplets
- Override display quantization using tuplets
- Add grace notes and independent notes
- Delete notes
- Use automation in the Score Editor
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- Staff styles overview
- Assign staff styles to tracks
- Staff Style window
- Create and duplicate staff styles
- Edit staff styles
- Edit staff, voice, and assign parameters
- Add and delete staffs or voices in the Logic Pro Staff Style window
- Copy staffs or voices in the Logic Pro Staff Style window
- Copy staff styles between projects
- Delete staff styles
- Assign notes to voices and staffs
- Display polyphonic parts on separate staffs
- Change the staff assignment of score symbols
- Beam notes across staffs
- Use mapped staff styles for drum notation
- Predefined staff styles
- Share a score
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- Environment overview
- Common object parameters
- Customize the Environment
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- Fader objects overview
- Use fader objects
- Play back fader movements
- Work with object groups
- Fader styles
- Fader functions: MIDI events
- Fader functions: range, value as
- Fader functions: filter
- Vector fader
- Special faders overview
- Cable switchers
- Meta event faders
- SysEx faders
- Work with SysEx messages
- Special functions
- Ornament objects
- MMC record buttons
- Keyboard objects
- Monitor objects
- Channel splitter object
- Physical input objects
- Physical input objects
- MIDI click objects
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- Key commands overview
- Browse, import, and save key commands
- Assign key commands
- Copy and print key commands
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- Global Commands key commands
- Global Control Surfaces Commands
- Various windows
- Windows Showing Audio files
- Main Window Tracks and Various Editors
- Live Loops Grid
- Various Editors
- Views showing Time Ruler
- Main Window Tracks
- Mixer
- MIDI Environment
- Piano Roll
- Score Editor
- Event Editor
- Step Editor
- Step Sequencer
- Project Audio
- Audio File Editor
- Smart Tempo Editor
- Sampler
- Step Input Keyboard
- Tool key commands in Logic Pro
- Touch Bar shortcuts
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- Working with your control surface
- Connect control surfaces
- Add a control surface to Logic Pro
- Automatic assignment for USB MIDI controllers
- Grouping control surfaces
- Control Surfaces preferences overview
- Modal dialog display
- Tips for using your control surface
- Control surfaces supported by Logic Pro
- Software and firmware
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- Learn about Effects
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- Learn about Amps and Pedals
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- Bass Amp Designer overview
- Bass amplifier models
- Bass cabinet models
- Build a custom combo
- Amplifier signal flow
- Pre-amp signal flow
- Use the D.I. box
- Amplifier controls
- Bass Amp Designer effects overview
- Bass Amp Designer EQ
- Bass Amp Designer compressor
- Bass Amp Designer Graphic EQ
- Bass Amp Designer Parametric EQ
- Bass Amp Designer microphone controls
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controller parameters
- Modifier MIDI plug-in controls
- Note Repeater MIDI plug-in controls
- Randomizer MIDI plug-in controls
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- Use the Scripter MIDI plug-in
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer MIDI plug-in controls
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- Learn about included Instruments
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- Alchemy overview
- Name bar
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Master voice section
- Alchemy extended parameters
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- Logic Pro Quick Sampler overview
- Add content to Logic Pro Quick Sampler
- Logic Pro Quick Sampler waveform display
- Use Flex in Logic Pro Quick Sampler
- Logic Pro Quick Sampler Pitch controls
- Logic Pro Quick Sampler Filter controls
- Quick Sampler filter types
- Logic Pro Quick Sampler Amp controls
- Logic Pro Quick Sampler extended parameters
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Use surround range and diversity
- Assign MIDI controllers
- Extended parameters
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- Ultrabeat overview
- Ultrabeat interface
- Synthesizer section overview
- Filter section controls
- Distortion circuit controls
- Glossary
MIDI Synchronization settings in Logic Pro
MIDI Synchronization settings are only available when Show Advanced Tools is selected in Advanced preferences.
You can use these settings to synchronize external devices that receive MIDI clock from Logic Pro. You can configure MIDI clock synchronization settings independently for up to 10 external devices.
Destination pop-up menu: Sets the MIDI output port that receives MIDI clock signal. Select “All” to use the same configuration for every MIDI output port.
Clock checkbox: Activates MIDI clock transmission for the MIDI output port shown in the Destination field of that row.
MIDI clock can easily be sent with other normal MIDI events (notes and controllers, for example). When using multi-port MIDI interfaces (such as the Unitor8), better timing is achieved by sending MIDI Clock to All ports, rather than to several individual ports.
If MIDI clock is transmitted to all ports, the events are only sent once from the computer to the interface. If you address individual ports, one event needs to be sent for each port, placing a higher strain on the bandwidth of all ports.
Delay [ms] field: Use to delay the transmission of MIDI clock signals for the MIDI output port of that row. Negative values mean that the MIDI clock signal is transmitted earlier. This allows you to compensate for any reaction delays in external devices receiving MIDI clock.
PDC checkbox: Activates plug-in delay compensation for the MIDI output port shown in the Destination field of that row. This compensates for delays that can be introduced when using software plug-ins.
MTC checkbox: Activates the transmission of MIDI timecode for the MIDI output port shown in the Destination field of that row.
Note: If you can avoid it, you shouldn’t send MTC to all ports, as it’s very data intensive. If possible, use a MIDI port that isn’t being used for anything else.
MMC checkbox: Activates transmission of MIDI Machine Control for the MIDI output port shown in the Destination field of that row. These commands are then sent whenever you operate the transport functions (Start, Stop, Rewind, and so on) of Logic Pro.
Note: MMC will only be sent to the MIDI output destination if the Transmit MIDI Machine Control (MMC) checkbox is selected.
MMC is normally used when Logic Pro is receiving an external sync signal (for example, MTC or MIDI clock) from an external device (such as an ADAT), and you want to use Logic Pro to control the external device’s transport functions. Logic Pro therefore transmits MMC and receives MTC simultaneously. If you want to use the transport controls of the external device, you don’t need to transmit MMC. In this situation, Logic Pro only receives MTC from the transmitting device. You can also use MMC to record-enable tracks on the MMC receiver device.
Clock Mode pop-up menu: Determines the MIDI clock transmission mode for synchronized MIDI devices.
Pattern - Quantized clock start based on pattern length: Sends a Start command to begin sequencer playback from the beginning of the pattern. The length of the pattern must be set in the “Clock Start: with a pattern length of ____ Bar(s)” field.
Song - SPP at Play Start and Stop/SPP/Continue at Cycle Jump: Sends a Start command if playback begins at the start of your song. Otherwise, a Song Position Pointer and a Continue command are sent to begin sequencer playback.
Song - SPP at Play Start and Cycle Jump: Sends a Song Position Pointer command when you start playback and every time Cycle mode repeats.
Song - SPP at Play Start only: Sends a Song Position Pointer command only when you begin initial playback.
Clock Start: “at position” field: Defines the musical position at which the MIDI Clock output should start. Every time you start playback, a Song Position Pointer (SPP) message is also sent. Because not all devices can process SPP, the MIDI system real-time Continue message is also sent. The exception is when you start at position 1 1 1 1. In this situation, the real-time Start message is sent.
Clock Start: “with a pattern length of ____ Bar(s)” field: When Clock Mode is set to “Pattern - Quantized clock start based on pattern length” use this field to select the length of the pattern in bars.
Transmit MIDI Machine Control (MMC) checkbox: Activates transmission of MIDI Machine Control to all MIDI output destinations with MMC selected.
Listen to MMC Input checkbox: Controls Logic Pro by MIDI Machine Control and so-called Full Frame Messages.
Logic Pro recognizes these commands when listening to MMC Input:
Play
Deferred Play
Stop
Deferred Play is a special command for devices receiving MIDI clock that are mechanically slow, such as reel-based tape recorders. Rather than having the machine play immediately, it’s asked to reach the desired SMPTE position before playback is started. There’s no noticeable difference in the response of Logic Pro to the Play and Deferred Play commands, because Logic Pro can start playback at any position almost instantly.
Logic Pro ignores these messages when incoming external MTC (MIDI Time Code) commands are detected.
Logic Pro also obeys Full Frame Messages, and sets the playhead to a new location, without starting playback. Once again, incoming MTC data has higher priority, if conflicting information is received.
Some synchronizers send Full Frame Messages (instead of MTC) to locate the device receiving MIDI clock (Logic Pro in this case) to a new position, without implicitly starting playback. This is useful when in Slow Shuttle or Single Frame Advance mode with video machines, because the device receiving MIDI clock is perfectly located, without being in playback mode.
Save as Default button: Saves the current MIDI synchronization settings and applies them to all new projects.
MIDI Sync Preferences button: Opens the Sync tab of the MIDI Preferences window.