MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Alchemy zone waveform editor in MainStage
Source components are shown only in advanced view. Click the Advanced button to switch to advanced view, then click the A/B/C/D button to view detailed parameters for the selected source.
The source edit window is opened by clicking the Edit button on any source subpage. Click the close window icon (X) at the top right to close the window.
The waveform display of the audio associated with the currently selected zone is shown at bottom of the Main edit window. Zones can be selected in the keymap editor or zone parameters in the inspector. See Alchemy keymap editor in MainStage and Alchemy inspector zone controls in MainStage.
Note: If the additive or spectral engines are in use, the waveform display shows the resynthesized sound amplitude envelope rather than the original sample.
When morphing is enabled, vertical gray lines with numbered handles are displayed over the waveform. These are warp markers. For information on use of warp markers, see Manually time-aligning morphed sounds in Alchemy.
The bright vertical blue lines displayed over the waveform, labeled S and E, indicate playback start and end points. Drag the S or E handle right or left to trim unwanted audio playback from the start or the end of the sound.
Depending on the source material and active morph mode, light blue lines may appear on the background between the start and end markers. These can help with manual alignment of warp markers.
If the selected zone is set to one of the looping modes, loop start and loop end markers are displayed as faint orange lines, each with a small triangular handle shown in the ruler. The loop region is highlighted between these markers. The marker with the left-facing handle sets the loop end point. The marker with the right-facing handle sets the loop end point. Drag the triangular marker handles to adjust the loop start and end points. Click and hold the handle of a loop marker to zoom the waveform horizontally, allowing for more accurate placement.
Note: You cannot position the loop start point later than the loop end point. You can, however, drag both the loop start and loop end markers to the same position, creating a sustain point rather than a loop region. This option is available only in the additive or spectral engines, or with a sample loaded into the granular engine, but not in sampler mode.
Waveform display parameters
> button: Turn automatic audio previewing on or off when selecting zones in the keymap editor.
Loop XFade button: Turn on to enable crossfades between loop start and end markers when Continuous or Sustain loop mode is chosen in the inspector.
A crossfade (XF) marker is shown at the loop end point. Drag this marker left to define a crossfade region, during which a portion of the sound from before the loop start marker is faded in, while the loop region is faded out.
In sampler mode, discontinuities between the loop start and end points can result in an audible click each time the loop restarts. Loops in additive, spectral, or granular modes do not click, but timbral or volume differences between the loop start and end points can often result in an obvious sounding loop. Unlike conventional samplers, the additive, spectral, and granular engines are capable of looping a single instant within the sound, with loop start and end markers at identical positions. This can work well with some sounds, but with others the loop stage may seem too static and obviously different from the start of the note.
Tip: Looping clicks in sampler mode can usually be removed with minimal crossfades, while other timbral or volume discontinuities may need larger crossfades. Drag the XF marker while playing a note to find a suitable crossfade length.
Note: The Loop XFade button is shown in sampler mode only. This parameter is not visible if other import modes are used.
Time line: Shows the overall length of the waveform in seconds. Fractional values (of the overall waveform length) are displayed in some situations, such as manual alignment of warp markers.
Scroll bar and zoom controls: Drag the middle of the scroll bar to view waveform data that is not visible in the display area. Horizontally drag the zoom controls at either end of the scroll bar to resize the contents of the visible display area.