MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Alchemy inspector zone controls in MainStage
Source components are shown only in advanced view. Click the Advanced button to switch to advanced view, then click the A/B/C/D button to view detailed parameters for the selected source.
The source edit window is opened by clicking the Edit button on any source subpage. Click the close window icon (X) at the top right to close the window.
The source inspector is divided into three main parameter groupings: global and source parameters, group parameters, and zone parameters. See Alchemy inspector global controls in MainStage and Alchemy inspector group controls in MainStage.
Inspector zone parameters
Add Zone (+) button: Open the Import browser where you can select one or multiple samples to import into zones. Newly imported samples are added to the current configuration. Each new sample results in a new zone. See Alchemy Import browser in MainStage.
Select MIDI button: Turn on to automatically select zones by playing your MIDI keyboard.
Zone name field: Displays the name of the current audio file in the selected zone. Click to open a pop-up menu where you can select other source zones.
Note: The keymap editor lets you select multiple zones simultaneously. In this case the zone name field shows Multiple to indicate a multi-zone selection. Any parameter changes are applied to all selected zones. See Alchemy keymap editor in MainStage.
Key field: Set the root key for the selected zone with the up and down arrows. The chosen note triggers playback of the sound at its original pitch. A pitched sample should ideally be mapped to a matching root key. If the root note is defined as part of the filename, the Key parameter is set accordingly when the file is imported. If the root note is not in the filename, samples are analyzed on import to calculate their original pitch and a suitable root key setting. Drag vertically in the field or use the arrows to set a value.
Learn button: Turn on to set the root key for a sample: the next MIDI note received defines the new root key. The button is automatically turned off once the root key has been learned.
Loop mode field: Open a pop-up menu with five looping options.
None: Ignores the loop start and end points, and plays the entire sound once without looping.
Continuous: Plays from the beginning, enters the loop region, and loops continuously in a forward direction while a note is held and during the envelope release phase.
Sustain: Plays from the beginning, enters the loop region, loops continuously while a note is held, and exits the loop region to play the normal sound release phase.
Forward/Back: Like Continuous, but plays the loop region alternately forward and backward.
All: Ignores the loop start and end points, and loops the entire sound continuously.
Note: The loop start and loop end points can be edited in the source main edit page. See Alchemy zone waveform editor in MainStage. In VA mode, a raw oscillator noise source is used rather than loopable data, so VA synthesis elements are not affected by the Loop mode setting.
Volume knob: Set the selected zone output level. This parameter is also useful for level-matching multiple selected zones.
Tune knob: Tune the zone in semitone increments.
Pan knob: Determine the left/right pan position for each zone or the left/right balance for a stereo zone.
Lo Key field: Drag vertically or use the arrows to set the lowest MIDI note that triggers the zone. Alternatively, drag the left edge of the highlighted zone in the keymap editor. See Alchemy keymap editor in MainStage.
Hi Key field: Drag vertically or use the arrows to set the highest MIDI note that triggers the zone. Alternatively, drag the right edge of the highlighted zone in the keymap editor.
Lo Vel field: Drag vertically or use the arrows to set the lowest MIDI note velocity that triggers the zone. Alternatively, drag the lower edge of the highlighted zone in the keymap editor.
Hi Vel field: Drag vertically or use the arrows to set the highest MIDI note velocity that triggers the zone. Alternatively, drag the upper edge of the highlighted zone in the keymap editor.
Zone Fade pop-up menu and field: Determine the method used to fade overlapping zones at the boundaries of key and velocity ranges. No more than two zones can be triggered simultaneously within one group, which means that crossfades can be set for zones with adjacent key ranges or for zones with adjacent velocity ranges, but not for both at the same time.
Linear: Create a linear ramp from full amplitude to zero. This typically results in a crossfade that sounds quieter at the halfway point. Linear mode can be useful when crossfading two highly similar sounds that may reinforce one another at the halfway point of an equal-power crossfade.
Power: Create an equal-power curved fade that is suitable for most sounds. When crossfading two sounds with a similar loudness, Power mode results in a smooth fade with the same apparent loudness at the halfway point.
Left field: Drag vertically or use the arrows to set the range of the fade for the left edge of the zone, relative to the Lo Key parameter. If Lo Key is set to C2 and Left is set to 12, the zone fades in gradually for notes with pitches between C2 and C3.
Right field: Drag vertically or use the arrows to set the range of the fade for the right edge of the zone, relative to the Hi Key parameter. If Hi Key is set to C4 and Right is set to 5, the zone fades out gradually for notes with pitches between G#4 and C5.
Bottom field: Drag vertically or use the arrows to set the range of the fade for the lower edge of the zone, relative to the Lo Vel parameter. If Lo Vel is set to 20 and Bottom is set to 15, the zone fades in gradually for notes with velocities between 20 and 35. Velocity values below 20 do not trigger the zone.
Top field: Drag vertically or use the arrows to set the range of the fade for the upper edge of the zone, relative to the Hi Vel parameter. If Hi Vel is set to 90 and Top is set to 30, the zone fades out gradually for notes with velocities between 60 and 90. Velocity values above 90 do not trigger the zone.
Note: Zone fades and overlapping zones are not compatible with morphing sources. When morphing is enabled, only one zone is triggered at a time from each morphing source (the first zone in the list), and zone fades are disabled.