MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Sampler Synth Details in MainStage
You can use the Synth and Synth Details parameters to affect the overall behavior of the loaded instrument. If you’re new to the concepts and use of synthesizers and samplers, see Synthesizer basics overview.
Click the Details button to view or hide the Synth Details slide-out pane.
Drag vertically in parameter value fields to change them.
Option-click a parameter value to reset it to the default value.
Double-click a parameter value field to enter a new value. Press Enter to complete the operation.
Synth Details parameters
Glide field: Set the time it takes to slide from one note pitch to another—the portamento time.
Note: In Legato mode, Glide is active only on tied notes and envelopes are not retriggered when tied notes are played. In other words, playing a series of tied notes results in only a single envelope trigger. In Mono mode, Glide is always active and the envelopes are retriggered by every note played. See Use Sampler Unison, Mode, and Polyphony parameters.
Pitch Bend Up/Down pop-up menus: Set the upper and lower limit of pitch bends in semitones. A value of 0 disables pitch bends.
Note: When you choose Linked in the Pitch Bend Down pop-up menu, the bend range is identical in both directions. For example, if you assign an upward bend of 4 semitones, the downward bend is also set to 4 semitones, resulting in a combined bend range of 8 semitones (9, if you include the standard pitch, or no bend position).
Coarse Tune Remote pop-up menu: Choose a note value that sets the center key for keyboard-controlled transposition. The range is an octave above and below this key. Play a note in this range to transpose the mapping in semitones. This is much like using the Tune parameter.
Transpose field: Use to transpose the MIDI input value in semitone increments.
Sample Select Random field: Set the range of randomization values for Sample Select modulation. This is useful for instruments with multiple layered zones as it can emulate the subtle tonal fluctuations caused by changes in playing technique. You can also use it to switch wildly between samples for more extreme sonic results.
Velocity Random field: Set the range of randomization values for velocity modulation. This is useful for emulating tonal variations in instruments when played, struck, or blown at different levels.
Amp Velocity Curve field: Use to determine how Sampler responds to incoming velocity values. Negative values increase the responsiveness to soft key strikes, and positive values decrease responsiveness.
Velocity Offset field: Use to increase or decrease incoming MIDI note velocity values, expanding or limiting the dynamic response to MIDI note events.
Ignore Release Velocity button: Turn on to play samples at a note-off velocity level that is equal to the note-on velocity level. Turn off to control the note-off velocity level with a suitably-equipped MIDI keyboard. If your keyboard cannot send note-off velocity data, Logic Pro ignores the Ignore Release Velocity setting, and the note-off velocity level is always equal to the note-on velocity level.
Note: This parameter applies to the release trigger function of the Gigasampler format, and should be turned on for this purpose.
Amp Key Scale field: Set the amount of level modulation by keyboard position. Negative values increase the level of lower notes. Positive values increase the level of higher notes. This is useful when you are emulating a number of acoustic instruments, where lower-pitched notes are often louder than high notes.
Polyphony field: Set the maximum number of keys that can be played simultaneously. See Use Sampler Unison, Mode, and Polyphony parameters.
Mode pop-up menu: Switch between legato, monophonic, and polyphonic behaviors.
Unison pop-up menu: Set the number of unison voices or turn unison mode off.
Random Detune field: Set the amount of random detuning applied to each voice. Use this parameter to simulate the tuning drift of analog synthesizers or to thicken the sound. Random Detune is also effective when you are emulating various stringed instruments.
Used Voices field: Shows the number of playing voices in real time.