MainStage User Guide
- Welcome
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- Overview of Edit mode
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- Select patches and sets in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Add and rename patches
- Create a patch from several patches
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- Overview of the Patch Settings Inspector
- Select patch settings in the Patch Library
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Transpose the pitch of incoming notes for a patch
- Change the tuning for a patch
- Add text notes to a patch
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- Overview of channel strips
- Add a channel strip
- Change a channel strip setting
- Configure channel strip components
- Show signal flow channel strips
- Hide the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Set channel strip pan or balance positions
- Set channel strip volume levels
- Mute and solo channel strips
- Use multiple instrument outputs
- Use external MIDI instruments
- Reorganize channel strips
- Delete channel strips
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- Overview of the Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Set keyboard input for a software instrument channel strip
- Transpose individual software instruments
- Filter MIDI messages
- Scale channel strip velocity
- Set channel strips to ignore Hermode tuning
- Override concert- and set-level key ranges
- Add text notes to a channel strip in the Channel Strip Inspector
- Route audio via send effects
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- Screen Control Inspector overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change background or grouped screen control appearance
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
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- Overview of mapping screen controls
- Map to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Use screen controls to display PDF document pages
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work with graphs
- Create controller transforms
- Share patches and sets between concerts
- Record the audio output of a concert
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- Overview of concerts
- Create a concert
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Clean up concerts
- Consolidate assets in a concert
- Rename the current concert
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- Overview of the Concert Settings Inspector
- Set MIDI Routing to channel strips
- Transpose incoming note pitch for a concert
- Define the program change message source
- Send unused program changes to channel strips
- Set the time signature for a concert
- Change the tuning for a concert
- Set the pan law for a concert
- Add text notes to a concert
- Control the metronome
- Silence MIDI notes
- Mute audio output
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- Layout mode overview
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- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Reset screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export and import layouts
- Change the aspect ratio of a layout
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- Before performing live
- Use Perform mode
- Screen controls in performance
- Tempo changes during performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
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- Overview of keyboard shortcuts and command sets
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- Concerts and layouts keyboard shortcuts
- Patches and sets (Edit mode) keyboard shortcuts
- Editing keyboard shortcuts
- Actions keyboard shortcuts
- Parameter mapping (Edit mode) keyboard shortcuts
- Channel strips (Edit mode) keyboard shortcuts
- Screen controls (Layout mode) keyboard shortcuts
- Perform in Full Screen keyboard shortcuts
- Window and view keyboard shortcuts
- Help and support keyboard shortcuts
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- Playback plug-in overview
- Add a Playback plug-in
- Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low and highpass filter
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Define MIDI controllers
- Extended parameters
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- Copyright
Quick Sampler Filter controls in MainStage
Quick Sampler provides an extensive range of filter types, including lowpass, highpass, bandpass, and band reject filters.
You can control the filter section over time with a dedicated multimode envelope. Parameters that are modulation targets are indicated by a white dot when a note is played. The modulation range is shown as an orange ring around target parameters.
If you’re new to synthesizers and the concepts behind components such as filters, LFOs, and envelopes, see Synthesizer basics overview.
Quick Sampler Filter parameters
On/Off button: Turn the filter on or off.
Type pop-up menu: Choose a filter characteristic. Each option provides a different tonal color and response to Cutoff, Drive, and Res control values. See Quick Sampler filter types.
Cutoff knob and field: Set the cutoff frequency for the filter. Higher frequencies are attenuated, and lower frequencies are allowed to pass in a lowpass (LP) filter. The reverse is true in a highpass (HP) filter. In bandpass (BP) mode, cutoff determines the center frequency of the band that is allowed to pass. Band Reject (BR) works the same way, but the center frequency is not allowed to pass.
Reso knob and field: Boost or cut signals in the frequency band that surrounds the cutoff frequency.
Drive knob and field: Overdrive the filter. This can lead to intense distortions, depending on filter type.
Env Depth knob and field: Set the amount of filter envelope modulation.
Keyscale knob and field: Set the filter cutoff frequency intensity by keyboard position. Set to zero to filter all notes equally. Set to 100% to open the filter for higher played notes.
Envelope display: Drag points or lines in the display to adjust envelope parameter values. Alternatively, drag vertically, or double-click on envelope parameter fields to type in values.
Envelope Type pop-up menu: Choose the envelope type. This alters the number and appearance of envelope parameter fields and the graphical envelope display.
Attack handle and field: Drag horizontally to set the time it takes for the envelope to reach the initial level. Drag the field vertically.
Hold handle and field: Drag horizontally to set the time the full level is held, following the attack phase, before the decay phase begins. Drag the field vertically.
Decay handle and field: Drag horizontally to set the time it takes for the envelope to fall to the sustain level, following the hold phase or the initial attack time. Drag the field vertically.
Sustain handle and field: Drag vertically to set the sustain level, which is held until you release the key. Drag the field vertically.
Release handle and field: Drag horizontally to set the time it takes for the envelope to fall from the sustain level to a level of zero. Drag the field vertically.
Vel slider: Set the intensity of filter envelope modulation in response to incoming velocity data.
If the Vel slider is set to zero, the envelope outputs its maximum level when you strike the keys at any velocity.
At a Vel slider value of 100%, the entire dynamic range is under velocity control.
To explain, raising the slider value reduces the envelope minimum amplitude, with the difference being dynamically controlled by keyboard velocity. For example, when you set the Vel slider to 25%, the minimum envelope amplitude is reduced to 75%. The remaining 25% is added in response to the velocities of keys you play. A key played with a zero velocity results in an envelope amplitude of 75%. A key played with a MIDI velocity value of 127 will result in an envelope amplitude of 100%. When you raise the Vel slider value, the minimum amplitude decreases even further.