Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Use multiple or multichannel controllers with Vintage B3 in Logic Pro for iPad
By default, Vintage B3 receives the notes for the upper and lower manuals, and for the pedalboard, on three consecutive MIDI channels, mapped as follows:
MIDI channel 1: You play the upper manual sound.
MIDI channel 2: You play the lower manual sound.
MIDI channel 3: You play the pedalboard sound.
This allows you to simultaneously play Vintage B3 with up to three MIDI controllers. You can also use a single-manual master keyboard—with different keyboard zones, or a keyboard split feature—that sends data on different MIDI channels to address all three Vintage B3 sounds simultaneously. Each keyboard zone can be transposed independently. You can use any of your MIDI interface inputs for your master keyboard or pedalboard. Regardless of the input devices used, the only relevant factor is the MIDI send channel.
Note: See the user manual for your master keyboard to learn how to set up splits and zones or how to set its MIDI transmission channel (often called TX Channel).
Set the keyboard mode
There are three keyboard modes: single, split, and multi.
In Logic Pro, choose an option from the Keyboard Mode pop-up menu.
Single: Uses the entire keyboard. You can only play the upper sound.
Split: Divides the keyboard into two. You can play the upper and lower sounds in different keyboard zones.
Multi: Divides the keyboard into three. You can play the upper, lower, and pedalboard sounds in different keyboard zones.
Change the default MIDI channels
Changing MIDI channels can be useful when you perform live and require quick access to another sound module.
In Logic Pro, choose Multi from the Keyboard Mode pop-up menu.
Change the channel numbers for the upper, lower, and pedal manuals with the Pedal, Lower, and UM MIDI Ch pop-up menus.
Set keyboard zones
In Logic Pro, choose Split from the Keyboard Mode pop-up menu.
Tap the StLMSP and/or the StUMSP button.
Choose a note name/number in the Split Point Pd/LM pop-up menu and/or the SP LM/UM pop-up menu.
Note: If you select the same value for both split points, the lower manual is turned off. If the lower/pedal split is moved above the upper/lower split, the other split point is moved (and vice versa).
Transpose keyboard zones by octaves
You can make transpositions that are independent of the global Vintage B3 Tune parameter or transposition features of Logic Pro. These have no impact on the preset keys which is particularly important when you want to use preset switching. See Use Vintage B3 preset keys when split keyboard mode is active.
In Logic Pro, choose Split from the Keyboard Mode pop-up menu.
Choose an octave value (+/– 2 octaves) in one or more of the Transpose Pedal, Transpose LM, or Transpose UM pop-up menus.
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