Logic Pro User Guide for iPad
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- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
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- Intro to tracks
- Create tracks
- Create tracks using drag and drop
- Choose the default region type for a software instrument track
- Select tracks
- Duplicate tracks
- Reorder tracks
- Rename tracks
- Change track icons
- Change track colors
- Use the tuner on an audio track
- Show the output track in the Tracks area
- Delete tracks
- Edit track parameters
- Start a Logic Pro subscription
- How to get help
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- Intro to recording
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- Before recording software instruments
- Record software instruments
- Record additional software instrument takes
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Merge software instrument recordings
- Spot erase software instrument recordings
- Replace software instrument recordings
- Capture your most recent MIDI performance
- Route MIDI internally to software instrument tracks
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
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- Intro to arranging
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- Intro to regions
- Select regions
- Cut, copy, and paste regions
- Move regions
- Remove gaps between regions
- Delay region playback
- Trim regions
- Loop regions
- Repeat regions
- Mute regions
- Split and join regions
- Stretch regions
- Separate a MIDI region by note pitch
- Bounce regions in place
- Change the gain of audio regions
- Create regions in the Tracks area
- Convert a MIDI region to a Session Player region or a pattern region
- Rename regions
- Change the color of regions
- Delete regions
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- Intro to chords
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
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- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
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- Effect plug-ins overview
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- Instrument plug-ins overview
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- ES2 overview
- Interface overview
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- Modulation overview
- Use the Mod Pad
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- Vector Envelope overview
- Use Vector Envelope points
- Use Vector Envelope solo and sustain points
- Set Vector Envelope segment times
- Vector Envelope XY pad controls
- Vector Envelope Actions menu
- Vector Envelope loop controls
- Vector Envelope point transition shapes
- Vector Envelope release phase behavior
- Use Vector Envelope time scaling
- Modulation source reference
- Via modulation source reference
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- Sample Alchemy overview
- Interface overview
- Add source material
- Save a preset
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Low, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
- Sampler
- Studio Piano
- Copyright
Vintage Electric Piano effects in Logic Pro for iPad
Vintage Electric Piano integrated effects units include classic equalizer, overdrive, stereo chorus, stereo phaser, and stereo tremolo that are commonly used with electric piano sounds.
EQ: The EQ allows you to boost or cut the high and low frequency ranges of your Vintage Electric Piano sound. The EQ is positioned after the Drive circuit in the Vintage Electric Piano effects chain.
Drive: Electric pianos sound best when played through tube amplifiers. Tube amplifiers offer a wide range of tones—from the subtle warmth or crunch of guitar amplifiers to psychedelic, screaming rock distortions. The Drive effect simulates the saturation characteristics of a tube amplifier stage. The Drive effect is the first signal processing circuit in the Vintage Electric Piano effects chain.
Chorus: The most commonly used effect on electric piano sounds, the Vintage Electric Piano Chorus effect is based on a delay circuit. The delay time is modulated by an LFO. The delayed effect signal is mixed with the original signal.
Phaser: The Phaser effect is based on analog phaser pedals used by electric guitarists in the 1960s and 1970s, including the subtle analog-style distortion typical of these units. These phaser pedals were also popular among electric pianists—especially in the electric jazz, jazz-rock, and pop styles of the 1970s.
The Phaser effect runs the original signal through a series of four filters that enhance particular aspects of the Vintage Electric Piano frequency spectrum. This filtered signal is slightly phase delayed and mixed with the original signal, resulting in notches in the frequency spectrum. The notches in the phase-delayed signal are moved up and down through the frequency spectrum by an LFO (low frequency oscillator) modulation. This results in the amplitudes of the two signals reaching their highest and lowest points at slightly different times.
Note: Logic Pro offers a sophisticated Phaser effect (and other modulation plug-ins) that can be used alongside, or to replace, the integrated Vintage Electric Piano Phaser effect.
Tremolo: A periodic modulation of the amplitude (level) of the sound is known as a tremolo. This modulation is controlled with an LFO in the Vintage Electric Piano Tremolo effect. The Fender Rhodes suitcase piano features a stereo tremolo. Other electric pianos have a simple, often obtrusive, mono tremolo that can introduce an unusual polyrhythmic feel to performances.
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