Logic Pro User Guide for Mac
- Welcome
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- What’s new in Logic Pro for Mac 11
- What’s new in Logic Pro for Mac 10.8
- What’s new in Logic Pro for Mac 10.7.8
- What’s new in Logic Pro for Mac 10.7.5
- What’s new in Logic Pro 10.7.3
- What’s new in Logic Pro 10.7
- What’s new in Logic Pro 10.6
- What’s new in Logic Pro 10.5
- What’s new in Logic Pro 10.4
- What’s new in Logic Pro 10.3
- What’s new in Logic Pro 10.2
- What’s new in Logic Pro 10.0
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- What is Logic Pro for Mac?
- Logic Pro project basics
- Use menu commands and key commands
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
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- Projects overview
- Create projects
- Open projects
- Save projects
- Delete projects
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- Play a project
- Set the playhead position
- Control playback with the transport buttons
- Use transport shortcut menus
- Use transport key commands
- Customize the control bar
- Change the LCD display mode in Logic Pro for Mac
- Monitor and reset MIDI events
- Use the cycle area
- Use the Chase Events function
- Use Apple Remote to control Logic Pro
- Use Logic Remote to control Logic Pro projects
- Preview projects in the Finder
- Close projects
- View project information
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- Tracks overview
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- Create tracks
- Create tracks using drag and drop
- Create tracks using existing channel strips
- Assign tracks to different channel strips
- Choose the default region type for software instrument tracks
- Select tracks
- Duplicate tracks
- Rename tracks
- Change track icons
- Change track colors
- Reorder tracks
- Zoom tracks
- Replace or double drum sounds
- Control timing with the groove track
- Use selection-based processing
- Edit track parameters
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- Overview
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- Before recording software instruments
- Play software instruments
- Record software instruments
- Record additional software instrument takes
- Overdub software instrument recordings
- Spot erase software instrument recordings
- Use Note Repeat
- Replace software instrument recordings
- Record to multiple software instrument tracks
- Record multiple MIDI devices to multiple tracks
- Record software instruments and audio simultaneously
- Use step input recording techniques
- Record MIDI messages from another music app
- Route MIDI internally to software instrument tracks
- Use the metronome
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- Arranging overview
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- Regions overview
- Select regions
- Select parts of regions
- Cut, copy, and paste regions
- Move regions
- Add or remove gaps
- Delay region playback
- Loop regions
- Repeat regions
- Resize regions
- Mute and solo regions
- Time stretch regions
- Reverse audio regions
- Split regions
- Demix MIDI regions
- Join regions
- Create regions in the Tracks area
- Change the gain of audio regions in the Tracks area
- Normalize audio regions in the Tracks area
- Create aliases of MIDI regions
- Convert repeated MIDI regions to loops
- Change the color of regions
- Convert audio regions to samples for a sampler instrument
- Rename regions
- Delete regions
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- Chords overview
- Add and delete chords
- Select chords
- Cut, copy, and paste chords
- Move and resize chords
- Loop chords on the Chord track
- Transpose chords
- Edit chords
- Work with chord groups
- Use chord progressions
- Change the chord rhythm
- Choose which chords a Session Player region follows
- Analyze the key signature of a range of chords
- Extract vocal and instrumental stems with Stem Splitter
- Create groove templates
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- Overview
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- Add notes
- Select notes
- Snap items to the grid
- Move notes
- Copy notes
- Change the pitch of notes
- Resize notes
- Edit note velocity
- Quantize the timing of notes
- Quantize the pitch of notes
- Change note articulations
- Lock the position of events
- Mute notes
- Change note color
- View note labels
- Delete notes
- Time stretch notes
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
- Open other editors
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- Logic Pro for Mac advanced editors overview
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- Audio File Editor overview
- Play audio files in the Audio File Editor
- Navigate audio files in the Audio File Editor
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- Audio File Editor edit commands
- Edit audio files with transient markers
- Use the Audio File Editor Pencil tool
- Trim or silence audio files
- Remove DC offset
- Set audio file levels
- Normalize audio files
- Fade audio files
- Reverse audio and invert phase
- Audio File Editor Loop commands
- Undo Audio File Editor edits
- Backup audio files
- Use an external sample editor
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- Mixing overview
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
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- Plug-ins overview
- Add, remove, move, and copy plug-ins
- Insert a plug-in on a track using drag and drop
- Activate plug-ins on inactive channels
- Use the Channel EQ
- Work in the plug-in window
- Work with plug-in settings
- Work with plug-in latencies
- Work with Audio Units in Logic Pro for Mac
- Support for ARA 2 compatible plug-ins
- Use MPE with software instruments
- Use the Plug-in Manager
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Smart Controls overview
- Show Smart Controls for master effects
- Choose a Smart Control layout
- Automatic MIDI controller assignment
- Map screen controls automatically
- Map screen controls
- Edit mapping parameters
- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
- Compare Smart Control edits with saved settings
- Use the Arpeggiator
- Automate screen control movements
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- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Change Live Loops grid settings
- Control Live Loops with other devices
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- Global changes overview
- Control transposition with the Pitch Source parameter
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- Tempo overview
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- Smart Tempo overview
- Use free tempo recording
- Choose the Project Tempo mode
- Choose the Flex & Follow setting
- Use Smart Tempo with multitrack audio
- Work in the Smart Tempo Editor
- Improve the tempo analysis using hints
- Correct tempo analysis results using beat markers
- Protect Smart Tempo edits by locking a range
- Match audio recordings to the project tempo
- Match the tempo to an audio region
- Use audio file tempo information
- Record tempo changes
- Use the Tempo Interpreter
- Use the tempo fader
- Control project volume
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- Overview
- Add notes
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- Part box overview
- View score symbols
- Select score symbols
- Add notes and rests
- Add notes and symbols to multiple regions
- Add key and time signature changes
- Change the clef sign
- Add dynamic marks, slurs, and crescendi
- Change note heads
- Add symbols to notes
- Add trills, ornaments, and tremolo symbols
- Add sustain pedal markings
- Add chord symbols
- Add chord grids and tablature symbols
- Add bar lines, repeats, and coda signs
- Add page and line break symbols
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- Select notes
- Move and copy notes
- Change note pitch, duration, and velocity
- Change note articulations
- Quantize the timing of notes
- Restrict note input to the current key
- Control how ties are displayed
- Add and edit tuplets
- Override display quantization using tuplets
- Add grace notes and independent notes
- Delete notes
- Use automation in the Score Editor
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- Staff styles overview
- Assign staff styles to tracks
- Staff Style window
- Create and duplicate staff styles
- Edit staff styles
- Edit staff, voice, and assign parameters
- Add and delete staffs or voices in the Staff Style window in Logic Pro for Mac
- Copy staffs or voices in the Staff Style window in Logic Pro for Mac
- Copy staff styles between projects
- Delete staff styles
- Assign notes to voices and staffs
- Display polyphonic parts on separate staffs
- Change the staff assignment of score symbols
- Beam notes across staffs
- Use mapped staff styles for drum notation
- Predefined staff styles
- Share a score
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- Key commands overview
- Browse, import, and save key commands
- Assign key commands
- Copy and print key commands
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- Global Commands
- Global Control Surfaces Commands
- Various Windows
- Windows Showing Audio Files
- Main Window Tracks and Various Editors
- Various Editors
- Views Showing Time Ruler
- Views Showing Automation
- Main Window Tracks
- Live Loops Grid
- Mixer
- MIDI Environment
- Piano Roll
- Score Editor
- Event Editor
- Step Editor
- Step Sequencer
- Project Audio
- Audio File Editor
- Smart Tempo Editor
- Library
- Sampler
- Drum Machine Designer
- Step Input Keyboard
- Smart Controls
- Tool Menu
- Control Surface Install Window
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- Logic Pro projects
- Various windows
- Controller Assignments window
- Control bar
- Tracks area
- Global tracks
- Automation
- Live Loops grid
- Mixer
- MIDI Environment
- Piano Roll Editor
- Score Editor
- Event List
- Step Editor
- Step Sequencer
- Flex Time
- Audio File Editor
- Smart Tempo Editor
- Surround Panner
- Channel EQ
- Channel EQ
- Sampler
- Touch Bar shortcuts
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- Working with your control surface
- Connect control surfaces
- Add a control surface to Logic Pro for Mac
- Automatic assignment for USB MIDI controllers
- Grouping control surfaces
- Control Surfaces settings overview
- Modal dialog display
- Tips for using your control surface
- Supported control surfaces
- Software and firmware for Logic Pro for Mac
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- Environment overview
- Common object parameters
- Customize the Environment
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- Fader objects overview
- Use fader objects
- Play back fader movements
- Work with object groups
- Fader styles
- Fader functions: MIDI events
- Fader functions: range, value as
- Fader functions: filter
- Vector fader
- Special faders overview
- Cable switchers
- Meta event faders
- SysEx faders
- Work with SysEx messages
- Special functions
- Ornament objects
- MMC record buttons
- Keyboard objects
- Monitor objects
- Channel splitter object
- Physical input objects
- Physical input objects
- MIDI click objects
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- Use MIDI plug-ins
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- Arpeggiator overview
- Arpeggiator control parameters
- Note order parameters overview
- Note order variations
- Note order inversions
- Arpeggiator pattern parameters overview
- Use Live mode
- Use Grid mode
- Arpeggiator options parameters
- Arpeggiator keyboard parameters
- Use keyboard parameters
- Assign controllers
- Modifier controls
- Note Repeater controls
- Randomizer controls
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- Use Scripter
- Use the Script Editor
- Scripter API overview
- MIDI processing functions overview
- HandleMIDI function
- ProcessMIDI function
- GetParameter function
- SetParameter function
- ParameterChanged function
- Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Scripter controls
- Transposer controls
- Record MIDI to Track
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- Alchemy overview
- Alchemy interface overview
- Alchemy Name bar
- Alchemy file locations
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- Alchemy source overview
- Source master controls
- Import browser
- Source subpage controls
- Source filter controls
- Source filter use tips
- Source elements overview
- Additive element controls
- Additive element effects
- Spectral element controls
- Spectral element effects
- Pitch correction controls
- Formant filter controls
- Granular element controls
- Sampler element controls
- VA element controls
- Wide unison mode
- Source modulations
- Morph controls
- Alchemy master voice section
- Alchemy Extended parameters
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- ES2 overview
- ES2 interface overview
- ES2 integrated effects processor controls
- Use ES2 in Surround mode
- Extended parameters
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- Sample Alchemy overview
- Interface overview
- Add source material
- Edit mode
- Play modes
- Source overview
- Synthesis modes
- Granular controls
- Additive effects
- Additive effect controls
- Spectral effect
- Spectral effect controls
- Filter module
- Lowpass, bandpass, and highpass filters
- Comb PM filter
- Downsampler filter
- FM filter
- Envelope generators
- Mod Matrix
- Modulation routing
- Motion mode
- Trim mode
- More menu
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- Sculpture overview
- Sculpture interface
- Global parameters
- Amplitude envelope parameters
- Use the Waveshaper
- Filter parameters
- Output parameters
- Use surround range and diversity
- Define MIDI controllers
- Extended parameters
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- Studio Piano
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- Ultrabeat overview
- Ultrabeat interface
- Synthesizer section overview
- Filter section controls
- Distortion circuit controls
- Glossary
- Copyright
Edit Step Sequencer pattern, row, and step settings in Logic Pro for Mac
You can edit a variety of settings for patterns, rows, and individual steps in the Step Sequencer inspector. When you open the Step Sequencer inspector, you see buttons along the top for Pattern, Row, and Step inspectors. Clicking a button displays settings for that level.
Some controls in the Step Sequencer inspector are also available in other parts of Step Sequencer (for example, some pattern settings are available in the Step Sequencer menu bar, and many row settings are available in the row headers). By viewing and editing them in the inspector, you can more easily compare values, and copy and paste values between settings.
Open the Step Sequencer inspector
In Logic Pro, click the Inspector button to show the Step Sequencer inspector (or choose View > Show Local Inspector).
Edit pattern settings
In Logic Pro, click the Pattern button in the Step Sequencer inspector to show the Pattern inspector.
Do any of the following:
To change the pattern length: Choose the number of steps in the pattern from the Pattern Length pop-up menu.
To change the step rate: Choose the note value for steps in the pattern from the Step Rate pop-up menu.
To change the playback mode: Click one of the Playback Mode buttons. The choices are, from left to right:
Forward: Steps play from left to right.
Backward: Steps play from right to left.
Ping-Pong: Playback alternates between left to right and right to left.
Random: Steps play in an undetermined order.
To change the Swing percentage: Set the Swing percentage using the Swing value slider, then click one of the Swing Note Value buttons to apply the swing value to either 8th or 16th notes.
To change the key: Choose a musical key for the pattern from the Pattern Key pop-up menu.
By default, when you choose a key from the Pattern Key pop-up menu, steps are transposed to the new key. You can also choose No Transpose from the menu. When No Transpose is active, steps do not transpose when you choose a new key.
To change the scale: Choose a musical scale for the pattern from the Scale Quantize pop-up menu.
To quantize unquantized notes to the scale: Click the Quantize (Q) button next to the Scale Quantize pop-up menu.
After you choose the scale from the Scale Quantize pop-up menu, notes are quantized and the Quantize (Q) button is inactive. The Quantize button becomes active when you change the row assignment or Note value for a step to a note outside the chosen scale. Click the Quantize button to reapply scale quantization to those nonconforming notes.
To set all rows in the pattern to use Legato mode: Select the Legato checkbox.
When selected, a 100% gate value is increased by one tick so that it overlaps slightly with the following step. When triggering notes on a synthesizer or other software instrument, this ensures that the steps trigger the legato behavior of the instrument.
To set the MIDI channel for all rows in the pattern: Set the MIDI channel from the MIDI Channel value slider. Changes overwrite any existing settings, and are used when new rows are created.
To set the automation mode for the pattern: Choose a mode from the Automation Mode pop-up menu. Changes overwrite any existing settings, and are used when new rows are created. The choices are:
Latch: Once set, the automation parameter value remains constant until a step with a different value is triggered.
Slide: Interpolates between the last automation parameter value and the next one to produce a smooth, gradual change.
Note: When Scale Quantize is set to Off, changing the pattern key transposes notes but does not conform them to a Scale, unless No Transpose is selected in the Pattern Key pop-up menu. (See above in “To change the key.”) When Scale Quantize is set to any other setting, changing the key both transposes notes and conforms them to the chosen scale.
Edit row settings
In Logic Pro, click a row header to select the row.
In the Step Sequencer inspector, click the Row button to show the Row inspector.
Do any of the following:
To change the row assignment:
For note rows: Choose a note value or drum sound from the Note submenu of the Row Assignment pop-up menu.
When a pattern using a Drum Machine Designer patch is selected, the Row Assignment pop-up menu shows the kit piece names rather than MIDI note names.
For automation rows: Choose a parameter from the Automation submenu of the Row Assignment pop-up menu.
To add a custom name for the row: Select the Row Name field and enter the name for the row. The row name is displayed on the row header, replacing the row assignment label.
To change the step rate for the row: Choose a note value for steps in the row from the Step Rate pop-up menu.
To change the playback mode for the row: Click one of the Playback Mode buttons. The choices are, from left to right:
Forward: Steps play from left to right.
Backward: Steps play from right to left.
Ping-Pong: Playback alternates between left to right and right to left.
Random: Steps play in an undetermined order.
To change the loop start: Set the value in steps using the Loop Start value slider.
To change the loop end: Set the value in steps using the Loop End value slider.
To change the MIDI channel for the row: Set the channel number from the MIDI Channel value slider.
To set the automation mode for the row: Choose a mode from the Automation Mode pop-up menu. The choices are:
Latch: Once set, the automation parameter value remains constant until a step with a different value is triggered.
Slide: Interpolates between the last set automation parameter value and the next, to produce a smooth, gradual change.
Edit step settings
In Logic Pro, Shift-click a step to select it.
In the Step Sequencer inspector, click the Step button to show the Step inspector.
Do any of the following:
To turn the step on or off: Select the Step On/Off checkbox.
To change the note or sound for the step: Set the note or drum sound using the Note value slider.
To change the velocity level for the step: Set the velocity value from 1 to 127 using the Velocity value slider.
To change the gate amount for the step: Set the gate value from 1 to 127 using the Gate value slider.
To change the note repeat value for the step: Set the value from 1 to 16 using the Note Repeat value slider.
To change the Chance value for the step: Set the percentage using the Chance value slider.
To change the offset value for the step: Set the percentage using the Start Offset value slider.
To set the MIDI channel for the step: Set the channel using the MIDI Channel value slider.
To change the articulation for the step: Set a value from 0 to 255 using the Articulation value slider.
To set the cycle pass a step plays on: Set the value using the Recurrence Iteration value slider.
To set the number of cycles: Set the value using the Recurrence Cycles value slider.
Recurrence Iteration and Recurrence Cycles work together. For example, when setting Recurrence Iteration to 2 and Recurrence Cycles to 3, the step only plays on the second pass of three cycles of the pattern.
To change the step rate for the step: Choose a note value for the step from the Step Rate pop-up menu.
To skip the step during playback: Select the Skip checkbox.
To tie the step during playback: Select the Tie checkbox.