During the Latin R&B wave of the late 2010s, Lyanno emerged as a breakout star via posse cuts like the “A Solas” and “Toda” remixes. Nearly halfway into the 2020s, the Puerto Rican singing sensation has since developed into an artist capable of solo standouts like “JOLLY” as well as memorable collaborations within and beyond his reggaetón roots. The concise yet diverse PARA TODAS LAS MAMACITAS offers a sampling of how his skill set applies across styles. Naturally, there are ample perreo opportunities, as “LO QUE TE DOY” and the pulsating “PTLM” plainly show. Continuing their long-standing back-and-forth creative exchange, Rauw Alejandro helps slow things down for the bump-and-grind prospects of “LA NENA”. Throughout the album, he steps into other sounds, basking in the reggae vibrations of “MÁS DE UN BESO” or emoting over the broader bombastic pop of “NOTAS DE VOZ”. Leaning fully into the explicit territory alluded to by the album title, the provocative “CRÈMEPIE” makes his intentions clear over a scintillating hip-hop beat.