Since she released the hazy “Video Games” in 2011, Lana Del Rey has made mini-films that reflect her view of America—home-movie tableaus, open roads leading to better lands, a slightly faded glamour that still glitters. In clips like the monster-movie-inspired “Ride” and the sun-bleached “White Dress”, she depicts her American dreams in a way that balances mystique with millennial ennui.