Jamie Smith’s 2015 debut solo album In Colour set the tone for an entire decade of left-of-centre electronic music, but his long-awaited follow-up harbours zero pretension when it comes to trend-watching. Nine years later, In Waves sets its sights on the dance floor with glorious aplomb, the perfect complement to a string of body-moving singles that the iconic British producer has released in the preceding year and a half. “The collaboration element was helping me push things forward without having to think too much about myself on my own,” Smith tells Apple Music’s Zane Lowe. From there, the rest of In Waves came together in quick succession—and, suitably, the record’s rowdy and in-a-crowd feel was largely inspired by the solitude of the lockdown era, as well as dreams of how it would feel to play big tunes for huge audiences again. “I was starting to get excited about the idea of playing shows again,” Smith says. The guest list for this party is overflowing: Along with a practical reunion of his main outfit The xx on the dreamy “Waited All Night”, house music auteur and recent Beyoncé collaborator Honey Dijon lends her distinctive incantations to the squelch of “Baddy on the Floor”, while experimental-leaning vocalists Kelsey Lu and Panda Bear throw in on the soul-streaked and woozy “Dafodil”. But at the centre of In Waves is a truly assured sense of confidence from Smith, who’s returned here with a set of club-ready cuts that’s truly crowd-pleasing—all without losing the distinctive touch that’s brought him so much deserved acclaim to this point. “One of the most inspiring things is to go out clubbing,” he says. “And I think you can have quite profound thoughts even in an altered state on the dance floor.”