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Working With Available Light: A Family's World After Violence Hardcover – January 1, 1999
Purchase options and add-ons
- Print length320 pages
- LanguageEnglish
- PublisherW W Norton & Co Inc
- Publication dateJanuary 1, 1999
- Dimensions6 x 0.75 x 9.5 inches
- ISBN-100393046907
- ISBN-13978-0393046908
Editorial Reviews
Amazon.com Review
Working with Available Light is written in careful, elegant, and often poetic prose. It is also unflinchingly honest--almost to a fault. In sorting out his emotions on the page, Kalven exposes nearly every conceivable intimate aspect of their married life, and the effect of such a thorough cleansing is both tender and chilling. "Some experiences can't be absorbed all at once; you must spend your life working to make them yours," he writes. This book is only part of that process.
From Publishers Weekly
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
Review
[A] powerfully written memoir. -- Book Alert starred review, December 1998
Excerpt. © Reprinted by permission. All rights reserved.
It's as if a deep wound, long buried, has been laid open. Lying beside my wife, I'm confused by my maleness--so hard, so insistent--and feel somehow implicated in her wounding. Every caress feels coercive. Yet there is another kind of touching she welcomes. In the past, I often gave her massages; sometimes as a prelude to lovemaking. Now massage has become a lifeline between us. I imagine my fingers are drawing out the tension and fear that have invaded her body. And for the moment at least, it seems to be so.
She lies on our bed on her stomach. I straddle her from behind, lean forward, and work my fingers through her hair, massaging her scalp. I rub her neck and shoulders, then work down her back. How fragile she seems, this woman who runs marathons, climbs mountains, skis the most demanding trails. Her shoulders and neck, her wrists and fingers seem impossibly delicate. This is a perception I have often had of the children but never before of her: how breakable a human being is.
I move down to her buttocks. Years ago she taught me how to make bread. Now I am the baker in the family--a better bread maker than bread winner, we used to joke--and the children have grown up eating what they call "Daddy's bread." As I massage her there, I am invariably, helplessly, reminded of kneading dough. And vice versa. This is one of the surprises life has held: this ripening of sexual passion over time--the way it deepens and ramifies, embracing not only children but also garden and kitchen in the sexuality of the household.
Looking down at Patsy's backside, my pleasure is shadowed by the knowledge that there was a moment when he was in much the same position I am now. After smashing her in the face with his fists, he dragged her off the lakefront running path, his hands around her neck, choking her. In the middle of a small grove of trees he forced her to the ground and straddled her from behind. With one hand, he yanked her head back by the hair, blood streaming from her face, as he forced his other hand inside her. The perception is hard to absorb: tenderness and cruelty inhabit the same space in the world. All it takes is two bodies.
I massage her strong runner's legs: thighs, calves, and--her favorite moment--feet. She relaxes completely, gives herself over to pleasure. Her feet are endearingly ugly. Misshapen and calloused, they testify to all the miles she has run and skied. Bunions protrude. Her toes are a tangle. Some toenails are blackened or missing altogether. Yet these abused extremities are the sites of such feeling. Thousands of nerve ends converge in the feet. Hence the sensations that radiate through the body when they are rubbed. (And hence the widespread torture technique of beating the soles of the feet: the torturer, like the lover, is drawn to concentrations of nerve ends.) When I have finished--this is part of the ritual--Patsy asks, "Are you sure you did both feet?"
Heavy with relaxation, she turns over and lies on her back. A lovely sight. Amid all my confused feelings of desire and frustration and grief, I feel much simple affection for her body. I stroke the area defined by hips and pelvis--a loose and fleshy drum, as soft as an infant's skin. No number of sit-ups, thank God, will completely eliminate the hint of a pouch across her abdomen--the residue childbearing has left on her body.
We had been together close to ten years before we had our first child. The pregnancy was a revelation for me. After a lifetime of being excited by women's bodies, I found that they finally made sense. Patsy's round belly seemed not a distortion but the missing piece that completes the female form. It was as if she had always been slightly off-balance, then in pregnancy had found her center of gravity.
Bearing a child was, for her, an immersion in her animal nature. Soon after she learned she was pregnant, she stood before a supermarket meat counter and sized up an eight pound turkey, taking the measure of the thing inside her. As the pregnancy advanced, she grew ever closer to the presence within her. A photographer by vocation, she compared the process to the focusing of a lens. Toward the end, she interacted with the fetus constantly--feeling it hiccup and change positions, making out its limbs, head, buttocks. When she was by herself, she was not alone.
I remember being awakened by an August thunderstorm several weeks before the birth and seeing her naked by the shuttered bedroom window, in full pregnant profile, inhaling the night. It was as if the natural world was reclaiming her. No longer simply an individual in the environment, she was herself an environment for another. I came to think of her as a watery sort of ecosystem--a bog or a marsh or a tide pool.
When she felt the first stirrings of life, she laughed.
"It feels like a little fish," she said, "like a fish's tail slapping against the side of the bowl."
For me, it was different. I put hand and cheek on her belly, felt the kicks, made out the shape of foot and buttock. Yet the child was not there for me in the same way. Early in the pregnancy, Patsy had a funny, punning dream: she was in the ninth month, awaiting the birth, when she received a phone call. The voice on the other end informed her, "Your baby has been delivered in Buffalo. You must come and pick it up." My experience was more like that--as if the baby were en route toward us, traveling across a great distance, getting closer day by day. One day we would go to the hospital as if to the train station and pick it up.
The second pregnancy was in some ways different. No longer pioneers pushing back the frontiers of the unknown, we knew the shape of the process, knew where it led. We didn't joke, as we had the first time, about the fetus as a blind date. Also, this time there was another male looking on, one deeply implicated in the sexuality of the household: our son Josh, then three years old.
It was Josh who named the fetus. Given a doll for Christmas, he christened it "Tummy" as in "the-baby-in-Mommy's-tummy." We followed his lead and throughout the pregnancy referred to--and addressed--the fetus as "Tummy." After the birth, it took us all a few days to break the habit and get used to calling her Betsy Rose. Today she is wholly Betsy. What the name "Tummy" evokes for me now is how my feelings for my children began as an extension of my love for their mother, how loving her body I felt within me the first gentle fish tail slaps of love for the life it contained.
For some minutes during the attack, Patsy lived with the thought that it was up to him whether she lived or died, that she would only live if he let her. Overpowered physically, utterly alone, she sought in him something she could appeal to. Prepared to concede the rape, she pleaded for her life.
"You can't kill me," she sobbed. "I've got a baby at home."
This falsehood was not calculated. It issued from her deepest sense of what a human being is. He was unmoved.
I massage her breasts, trace the line of her collar bone with my fingers, stroke her cheeks and forehead. It's astonishing how quickly the physical wounds, the visible signs of suffering, healed. The effects of the attack are intensely physical, but they are on the inside. That's how she talks about it. The knowledge, the fear--it's something she carries within her. Harrowing images seize her in the night, and she cries out. I hold her and feel the terror inside her--a shudder in the hollow where she carried our children.
When I arrived at the emergency room, I was met at the door by a woman doctor.
"Your wife has been assaulted and badly beaten," she told me. "She's hysterical. She needs you to be calm. Can you do that?"
I nodded, and she led me to the curtained enclosure where Patsy was being attended by nurses. The police were in attendance, too, at a discreet distance. Patsy was half upright on the bed. She was dressed in a hospital smock. Her running shorts and T-shirt, blood soaked, lay on the floor. Her face was impossibly swollen; her eyes almost sealed shut by the swelling. A nurse was cleaning caked blood from her face. I took her hand and tried to comfort her. She released a sob and began, in discontinuous fragments, to tell me what had happened.
I didn't know what she was feeling, only that it was overwhelmingly powerful. At one point, there in the emergency room, she spoke of a conversation we'd had the week before about endings, about last things--the last time we'd go out for a walk, the last time we'd awaken to dawn light, and so on. She recalled that I had said, "There'll be a last time we make love."
"Last night," she said, "might have been it."
Our children were born in this hospital. As Patsy labored, her face swollen with effort and pain, I stood by the bed and held her hand: a man, looking on, filled with awed recognition of what it means to be a woman. I find myself saying now words I said then. "Breathe deeply." "Try to stay relaxed." "I love you." Flooded by feelings I haven't the words to speak, I stand by her savaged body and hold her hand. A man, looking on.
Product details
- Publisher : W W Norton & Co Inc; First Edition (January 1, 1999)
- Language : English
- Hardcover : 320 pages
- ISBN-10 : 0393046907
- ISBN-13 : 978-0393046908
- Item Weight : 1.32 pounds
- Dimensions : 6 x 0.75 x 9.5 inches
- Best Sellers Rank: #3,840,644 in Books (See Top 100 in Books)
- #5,124 in Social Services & Welfare (Books)
- #35,848 in Women's Biographies
- #76,380 in Sociology (Books)
- Customer Reviews:
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I do disagree with the reader who implied that he exploited his wife. He speaks often of her integrity. He says that she holds strong to her separateness. She wouldn't allow the book to be written if she did not wish it. They were complicit in the telling of her story. I did find at times that I wanted her to be the author of the book, not him, because this is her story.
I also disagree with the reader who accused him of name dropping. Instead, I see it as a willingness to be open about who he is. He writes about people being defined by their relationships and connections with others. He writes, on page 256:
". . . tortureres routinely assault their victims by way of their relations.... Every human connection supporting civilized life is ravaged."
Elsewhere he writes: "My mind keeps circling back to Alan's words: 'Our identities are composed of our relations with others.' " He also writes: "I was aware of myself as being uninjured by violence and, at the same time, impaired, as if I lacked a sense they both possessed. There is a word for this mix of robustness and obliviousness: privilege. Not the privilege of gender, race, or class (though not altogether unrelated either.)...'the privilege of ordinary heartbreaks.' " His candid descriptions of his friendships help tell the story of who he is, and who his wife is. It shows how even a woman from a privileged family can suffer, and even a man with contacts and privilege cannot make it better.
There were times when I was unsure whether the book was about the author or his wife. I do not think this makes the book less valuable, when a woman is raped, her husband and male family members also suffer. Speaking of male family members, while the daughter in the family is mentioned often, the son is given less time in the story. That leaves me wondering. How did this influence the son, and the formation of his values? I missed that part.
As someone else said, this is a good book, but not the only one. Anyone interested in this subject matter would benefit from also reading other works.
I should note that I am not an objective reviewer. I am a lifelong friend of the author, Jamie Kalven. I have known Patsy Evans, Jamie's wife and the book's hero, for about as long as he has. I am briefly mentioned by name in the narrative. I haven't even finished the whole book yet, because I find it too upsetting.
What Jamie and Patsy are trying to teach us, in part, in Working with Available Light, is something that the people running Serbia already know. Rape is a very effective way to pull people apart from their communities.
Patsy, Jamie and I live in Hyde Park, a neighborhood within Chicago and a sort of character in the book. Everyone here seems to connect with everyone else in at least three or four ways. Typically, I know X because I took her class and I garden near her, and I went to high school with her and she's related to Y and a friend of Z. When Patsy was raped, all those connections stretched and frayed, in addition to the ties with her husband and children. I wouldn't have understood this, but for the book.
Patsy had the courage to rewrite the story that our culture had prepared for her--the one in which she is a devalued victim who either never or only speaks of the rape. In that story, she is soiled goods. She drops out of relationships in her community, because she is not who she was when she formed them. So does Jamie, because the story makes him a shamed and injured party who has suffered a type of irreversible property damage.
We see ourselves as too sophisticated to think this way now. We remind ourselves that we don't live in Kosovo. Working with Available Light is a book about how hard it is to rewrite the old story of a rape, even in a sophisticated American community.
Truisms are true. We can't change how we think collectively unless people have the courage to speak out specifically. My friends Jamie and Patsy are intensely private people who have decided that sexual violence is not a private matter. They want to tell you their story. They want to make some room for others to speak.