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Don’t Give Money to the Arts—the remains of Tang Da Wu’s seminal performance interventions in 1995—hangs in the DBS Singapore Gallery. Goh Wei Hao (Intern, Curatorial and Research) explores the historical and cultural contexts of these performances. 5 minute read.
In this essay, Yeo Mang Thong questions the overarching frameworks of the “Malayan school” and “Nanyang school” that have been used as broad descriptors of art produced in Singapore during the 1950s and 1960s. 19 minute read.
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